Get out sound effect

The version most edits want. Clipped, forceful, and stopped dead, so it lands on a frame and leaves nothing hanging over the next shot.

Flat and quiet, with no rise in pitch at all. The lack of energy is the joke, so it works where the shouted take would be too much.

The second word held and falling away. The extra length turns a punctuation mark into a reaction, which is what you want when the beat needs room.

Bright and thin rather than chesty. It sits in a different frequency range from the shouted take, so it cuts through music where the low version disappears.

Said twice, the second one harder than the first. The repeat gives an editor a second cut point and reads as insistence rather than a single reaction.

The same shout with a decaying tail behind it. The tail buys a transition, so the sound carries across a cut instead of stopping at it.