Recast a martial arts scene with AI
Morphic Recast swaps the actors in finished footage while keeping the original performance, camera and timing, so a martial arts scene can be recast without a reshoot. Give it one photo per fighter: every kick, sweep, block and bow lands on the same beat, performed by new fighters.
- مقاطع حتى 30 ثانية
- صورة واحدة لكل شخص
- الباقات المدفوعة
A training-yard spar, new fighters. Two photos, two new fighters. The high kick, the sweep, the jump and the closing bow land on the same frames, in the same misty training yard.
The fighter with the black ponytailA grey-haired woman in black
The fighter with short black hairA red-bearded man in grey
ما الذي يتغيّر وما الذي يبقى
| ما يتغيّر | ما يبقى كما صُوِّر |
|---|---|
| Both fighters: faces, ages and builds | Every kick, sweep and block, frame for frame |
| Their training clothes, from the cast photos | The camera move and the framing |
| Only the people you give a photo to | The training yard, the mist and the light |
أمثلة على الاستخدام
Doubles to principals
Let trained martial artists perform the fight, then put your principal cast onto the same take.
Age the masters up
Film the moves with younger performers and recast the master and student at the ages the story needs.
Test the pairing
See how different fighter pairings read in the same spar before you lock casting.
How do I recast the actors in a martial arts scene without reshooting?
- 01
Upload the fight shot
Add one clip up to 30 seconds. For a longer sequence, recast it shot by shot and cut the shots together on the Compose timeline.
- 02
Add a photo per fighter
One photo for each person you replace, dressed the way they should look on screen. Anyone you give no photo stays exactly as shot.
- 03
Name each swap and run it
Ask Copilot, for example: the fighter with the black ponytail becomes the woman in photo 1. Every move and the timing stay as shot.
هل تستبدل شخصًا واحدًا فقط؟ لا يحتاج سير العمل المشترك إلا إلى المقطع وصورة واحدة.
افتح سير العململاحظات الإنتاج
Consent and releases
Recast only footage you hold releases for, and use photos of people who agreed to appear. Every example here uses generated people, not real actors.
When to also dub
The recast keeps the original soundtrack. For new lines or another language, run Morphic Dub on the recast shot so the voices and lips match.
Recast or reshoot
Recasting a martial arts scene skips a new shoot day and calling the cast back, and one take can carry a cast per market. Reshoot only when the action must change.
Review it as a team
Keep the source shot, the cast photos and every take in one project, where teammates in your workspace open the same versions and comment on each.
