A full brass section hitting one sharp stab, a slow swell building to a blare and a low tuba thump. Describe the brass sound your scene needs and Morphic generates it clean.

A section stab, a slow swell or a tuba thump, played the way you describe it
A brass hit timed to your title card slam or the logo reveal
Clean, isolated brass to drop under the cut, the title or the punchline

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Brass sounds for games, animation, and video edits

Brass stab

One sharp chord from a full section, for a title slam, a dramatic reveal or a hard cut that needs weight.

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Brass swell

One held chord rising from a breathy hum to a full blare, for a slow build into a big moment or an entrance.

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Brass riser

A chord climbing in pitch and volume toward a peak, for a countdown, a trailer build or a level about to start.

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Tuba thump

Two deep, round low notes, for comic weight, a clumsy character landing or a heavy object settling on screen.

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Muted brass stab

A tight, nasal hit through a mute, for a sly reveal, a sneaky character or a quick comic sting in a cartoon.

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Dissonant blare

A harsh, clashing chord that grows rougher, for horror stings, alarm moments and a villain entering the frame.

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Generate a brass sound from a prompt

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Ways to use a brass sound effect

Land a title or a reveal with one big hit

A single brass stab on the frame the title appears gives the cut its punch, in a trailer, a game menu or an animated intro.

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Land a title or a reveal with one big hit

Carry a slow push in with no score

A swelling brass chord fills a slow camera push without a music track, holding tension in a short film, a game cutscene or a podcast intro.

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Make a moment feel grand or comic

Two deep tuba notes give a moment mock grandeur or tell the audience a scene is playful before anything funny happens, in animation, explainers and mobile games.

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Warn that something bad is coming

A harsh brass blare under a dark doorway suggests a threat the camera never shows, in horror video, games and audio drama.

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مؤثرات صوتية أخرى في Music & instruments

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Basic

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تُفوتر باعتبارها $228 سنوياً

2400 شهرياً أرصدة

1 مستخدم فقط

جميع النماذج

Workflows

Standard

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تُفوتر باعتبارها $288 سنوياً

3625 شهرياً أرصدة

1 مستخدم فقط

جميع النماذج

Workflows

Pro

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تُفوتر باعتبارها $540 سنوياً

6350 مشترك شهرياً أرصدة

1 مستخدم

+ حتى 4 المزيد بتكلفة إضافية

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Workflows

Max

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تُفوتر باعتبارها $2040 سنوياً

24650 مشترك شهرياً أرصدة

1 مستخدم

+ حتى 9 المزيد بتكلفة إضافية

جميع النماذج

Workflows

Enterprise

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مخصص

شروط الأسعار والفوترة

أرصدة كبيرة الحجم

حدود مقاعد مخصصة

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Workflows

Free

للتجربة والاستكشاف

مجاني إلى الأبد

حتى 20 رصيد

مستخدم واحد فقط

نماذج محدودة

Workflows

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الأسئلة الشائعة

What is a brass sound effect?

It is a short hit or build played by brass instruments such as trumpets, trombones, horns and tuba. Brass has a bright, hard attack, so one stab or swell adds weight and drama to a cut without needing a full piece of music.

Where can I get brass sounds for a video?

Generate them from a prompt. Describing the hit you want takes less time than digging through a stock library, and every sound on this page was made from the prompt printed beside it, so you can start from one and adjust it.

How do I make a custom brass sound effect?

Name the instruments, the shape of the hit and how bright it should be, then generate it. A prompt like "a full brass section hitting one short loud chord stab with a brief ringing decay" gives Morphic enough to work with.

What is the difference between a brass stab, a swell and a riser?

A stab is one short chord that hits and decays, good for a hard cut. A swell holds one chord and grows louder, and a riser also climbs in pitch, so both build toward a moment. Pick the stab to land a cut and the swell or riser to lead into it.

Can I use these brass sounds commercially?

Yes, audio generated on paid plans can be used commercially. See our terms for full licensing details. Because each sound is generated for you, you also avoid the clip turning up in someone else's video.

Why does my brass sound not sit right in the edit?

Usually the hit is not lined up with the cut, or it clashes with the key of your music. Move the stab so its attack lands on the exact frame of the cut, and lower the music under the hit so the two do not fight.