Motes turning in a light shaft
Fine dust motes turn almost imperceptibly inside a hard backlit shaft, every particle picked out separately against the dark behind.
تعديل الأمر النصيAI dust stock footage
Generate dust stock footage in Morphic's AI video generator: motes turning in a hard backlit shaft, or a curtain of dust dropping straight down frame. Layer the passes on Compose.
Dust plates you can generate
Dust sequences you can stage
Curtain dropping from above
A broad curtain of dust releases from above frame and drops straight down at medium speed, thinning out as it falls through the light.
تعديل الأمر النصيLow sideways drift in gusts
Loose surface dust lifts and runs sideways along the bottom of a wide frame in gusts under raking side light, never rising far.
تعديل الأمر النصيWall of dust toward camera
A wall of dust advances straight down the lens axis toward camera and fills the frame, its leading edge tumbling over itself as it comes.
تعديل الأمر النصيأنشئ فيديوهات dust stock footage في ثلاث خطوات
- 01
صف المشهد الخاص بك
اكتب مشهد dust stock footage الذي تريده، بكلمات بسيطة.
- 02
أنشئ الفيديو
ينشئ Morphic مقطعا سينمائيا جاهزا للإطارات على لوحتك خلال ثوانٍ.
- 03
أعد الصقل وشارك
عدّل الأمر النصي، وأعد إنشاء التنويعات، ثم نزّل اللقطة أو شاركها.
Messages to cinematic scene
Dramatize any text conversation into a cinematic multi-shot video.
جرب هذا الـ Workflow
Time-freeze effect
Cinematic time-freeze short film for any scene
جرب هذا الـ Workflow
Title sequence
Generate a professional film title card from scratch, with optional cinematic animation.
جرب هذا الـ Workflow
Renovation timelapse
Photo of any real-estate becomes a cinematic renovation timelapse video with construction SFX and music.
جرب هذا الـ Workflow
Cinematic scene
One image to a 9-scene cinematic video.
جرب هذا الـ Workflow
Put yourself in a movie
Drop in a photo of yourself. Get a 12-second cinematic movie with animation and a matched soundtrack.
جرب هذا الـ Workflow
قد يعجبك أيضا
AI muzzle flash stock footage
Browse muzzle flash stock footage and generate your own shots at the length, ratio and look the cut needs. Morphic makes video, image, voice and sound.
AI black and white stock footage
Browse black and white stock footage and generate your own shots at the length, ratio and look the cut needs. Morphic makes video, image, voice and sound.
AI action stock footage
Browse action stock footage and generate your own shots at the exact length, ratio and look the cut needs. Morphic makes video, image, voice and sound.
AI explosion stock footage
Browse explosion stock footage and generate your own shots at the exact length, ratio and look the cut needs. Morphic makes video, image, voice and sound.
أسعار بسيطة
ابدأ مجاناً اليوم، مع إمكانية الترقية أو الإلغاء في أي وقت.
Basic
$9/ شهر
تُفوتر باعتبارها $0 سنوياً1100 شهرياً أرصدة
1 مستخدم فقط
جميع النماذج
Workflows
Standard
$24/ شهر
تُفوتر باعتبارها $0 سنوياً3625 شهرياً أرصدة
1 مستخدم فقط
جميع النماذج
Workflows
Pro
$45/ شهر
تُفوتر باعتبارها $0 سنوياً6350 مشترك شهرياً أرصدة
1 مستخدم
+ حتى 4 المزيد بتكلفة إضافية
جميع النماذج
Workflows
Pro Max
$170/ شهر
تُفوتر باعتبارها $0 سنوياً24650 مشترك شهرياً أرصدة
1 مستخدم
+ حتى 9 المزيد بتكلفة إضافية
جميع النماذج
Workflows
Enterprise
لحدود أعلى
مخصص
شروط الأسعار والفوترة
أرصدة كبيرة الحجم
حدود مقاعد مخصصة
جميع النماذج
Workflows
Free
للتجربة والاستكشاف
$0
مجاني إلى الأبد
حتى 20 رصيد
مستخدم واحد فقط
نماذج محدودة
Workflows
الأسئلة الشائعة
Where can I make dust stock footage with AI?
You can generate it in your browser on Morphic. Open the Text to Video tool, name the particle, the light that separates it and the rate it falls, and the plate renders in minutes. You set the density yourself, which is what normally sends people back for a second and third library search.
Why does my dust render as fog?
Because the prompt described a volume rather than particles. Dust reads as dust only when individual specks are visible and lit from behind or from the side. Ask for separately picked out particles, name the light direction, and give a fall rate; without those three the model defaults to an even haze.
Which dust shots render most reliably?
Slow drifting motes and falling curtains are the most reliable, because loose particulate has no fixed form to get wrong. Fast impact puffs hold up when you ask for high speed capture. The hardest ask is dust interacting with a specific object, so shoot the dust as its own pass and composite it.
Can I use generated dust footage commercially?
Yes. The element is generated from your prompt rather than licensed, so no rights-managed tier applies and no project count limits where it runs. Keeping the frame to particles and light, with nothing branded or legible in it, means there is nothing in the plate to clear.
How is this different from a dust pack from a stock library?
A pack ships one density and one fall rate per clip, so matching a shot usually means stacking several clips and hoping the result reads. Generating lets you write the density, the direction and the duration once and get a single pass that already sits at the right weight over your footage.