Recast a fight scene with AI
Morphic Recast swaps the actors in finished footage while keeping the original performance, camera and timing, so a fight scene can be recast without a reshoot. Give it the shot and one photo per new fighter: every punch, block and kick lands on the same frame, with new people throwing them.
- Clipes de 30 segundos
- Uma foto por pessoa
- Planos pagos
A warehouse fight, recast. Two fighters, two cast photos. Every punch, block and the push kick land on the same frame, and the dolly move, haze and window light are as shot.
The fighter in the grey hoodieA woman with box braids in a red track jacket
The bald fighter in the black tank topA silver-haired man in a white t-shirt
O que muda e o que fica
| Muda | Fica como foi filmado |
|---|---|
| Both fighters: face, hair, age and build | Every punch, block and kick, frame for frame |
| Their wardrobe, taken from the cast photos | The dolly move, framing and cut points |
| Only the people you give a photo to | The warehouse, haze, light and soundtrack |
Exemplos de situações
Stunt team to principals
Film the fight with the stunt team once the choreography is locked, then put the principal cast onto that take.
Previz with the real cast
Block the fight with stand-ins, then show producers the intended actors in it before the shoot day is booked.
One fighter, after wrap
Casting changed after the fight was shot. Recast that one fighter and leave the other exactly as it was filmed.
How do I recast the actors in a fight scene without reshooting?
- 01
Upload the fight shot
Add one clip up to 30 seconds. For a longer sequence, recast it shot by shot and cut the shots together on the Compose timeline.
- 02
Add a photo per fighter
One photo for each person you replace, dressed the way they should look on screen. Anyone you give no photo stays exactly as shot.
- 03
Name each swap and run it
Ask Copilot, for example: the man in the grey hoodie becomes the woman in photo 1. Morphic Recast keeps every move, the camera and the sound.
Vai trocar só uma pessoa? O workflow compartilhado só precisa do clipe e de uma foto.
Abrir o workflowNotas de produção
Consent and releases
Recast only footage you hold releases for, and use photos of people who agreed to appear. Every example here uses generated people, not real actors.
When to also dub
The recast keeps the original soundtrack. For new lines or another language, run Morphic Dub on the recast shot so the voices and lips match.
Recast or reshoot
Recasting a fight skips a new shoot day and calling the cast back, and one take can carry a cast per market. Reshoot only when the action must change.
Review it as a team
Keep the source shot, the cast photos and every take in one project, where teammates in your workspace open the same versions and comment on each.
