Punctuate a step outside
Cutting from module tone to the silence outside on the frame a hatch opens is the whole transition, done in sound.
Editar prompt
Space sound effects
The place rather than the ship: a deep cosmic drone, the room tone of a module, radio static from far away, a suit breath, and the silence outside.
- Ask for scale without rhythm, because anything with a pulse in it stops sounding like space
- A bed built for your scene rather than a stock sci-fi drone used across other productions
- Download clean audio and drop it straight into your edit
Space beds for film, games, and animation
Cosmic drone
A very deep drone with an enormous slow swell and no rhythm. Rhythm is what makes a bed sound like a machine instead of a place.
Module room tone
Life support humming with a faint air hiss over it. The inside of a habitat, and it should never draw attention.
Distant radio
Static with fragments surfacing and fading. Unintelligible on purpose, so it never competes with dialogue.
Suit breath
Breathing heard inside a helmet with a faint hiss between breaths. Puts the audience inside one person.
The silence outside
An almost-empty bed with only a faint pressure. Generated rather than cut to nothing, so the scene keeps a floor.
Airlock cycling
Pressure equalising with a rising hiss and a heavy seal. The one card here that is an event rather than a bed.
Generate a space bed from a prompt
Escolha um ponto de partida, edite o que quiser e gere no Morphic.
Ways to use a space sound effect
Fill a long shot without music
A deep drone under a slow exterior carries fifteen seconds and gives the scale a score would overplay.
Editar prompt
Tell the audience how alone they are
Distant radio with fragments that never resolve says there is somebody out there, and that you cannot reach them.
Editar prompt
Put the audience inside a helmet
Breathing close and muffled with a hiss between breaths narrows a wide shot down to one person, instantly.
Editar prompt
Você também pode gostar
Laser sound effect
Need laser sound effects that feel specific to your world? Morphic generates them from your description, at the pitch and edge your cut needs.
Machine whir sound effects
Machine whir sound effects for robots, motors and factory floors, spin-ups, servos and gear noise generated to match the device on your screen.
Magic sound effects
Magic sound effects for spells, potions and transformations, shimmers, chimes and dark drones generated to match the world you are building.
Magic spell sound effects
Magic spell sound effects for casting, charging, and curses, six takes you can generate to fit your scene, then download and place on the exact frame.
Mais efeitos sonoros em Sci-fi & fantasy
Preços simples
Comece grátis hoje mesmo, com a opção de fazer upgrade ou cancelar quando quiser.
Basic
$19/ mês
cobrado como $0 por ano2400 mensal créditos
1 apenas usuário
Todos os modelos
Workflows
Standard
$24/ mês
cobrado como $0 por ano3625 mensal créditos
1 apenas usuário
Todos os modelos
Workflows
Pro
$45/ mês
cobrado como $0 por ano6350 compartilhado mensal créditos
1 usuário
+ até 4 mais com custo adicional
Todos os modelos
Workflows
Max
$170/ mês
cobrado como $0 por ano24650 compartilhado mensal créditos
1 usuário
+ até 9 mais com custo adicional
Todos os modelos
Workflows
Enterprise
Para limites maiores
Personalizado
termos de preços e cobrança
Créditos de alto volume
Limites de vagas personalizados
Todos os modelos
Workflows
Free
Para experimentar
$0
grátis para sempre
Até 20 créditos
apenas 1 usuário
Modelos limitados
Workflows
Perguntas frequentes
How is this different from the spaceship page?
That page is a vehicle, engines and systems. This is the place: drone, room tone, radio, and the silence outside. No vehicle appears here at all.
Should space be silent?
Physically yes, dramatically almost never. Cutting to real silence reads as a dropped audio track, so the card here is an almost-empty bed with the faintest pressure in it, which feels like nothing but keeps a floor.
Why does my space bed sound like a machine?
Something in it repeats. Rule out rhythm, pulse and melody explicitly, because any regular event tells the ear there is equipment nearby rather than open space.
What puts an audience inside a suit?
Breathing. Close, muffled, with a faint hiss between breaths. It narrows a wide exterior down to one person faster than any camera move.
Should the radio voices be intelligible?
No. Fragments that surface and fade without resolving keep it as texture and say more about isolation than a clear transmission ever would.
Can I use these in a game or a film?
Yes. Audio generated on a paid Morphic plan is cleared for commercial use, including games, film, and broadcast.