Recast a classroom scene with AI
Morphic Recast swaps the actors in finished footage while keeping the original performance, camera and timing, so a classroom scene can be recast without a reshoot. Add one photo for the teacher and one for the student: the question, the turn from the board and the answer land on the same beat.
- Clipes de 30 segundos
- Uma foto por pessoa
- Planos pagos
An evening class, recast. Two photos, a new teacher and student. The question, the turn from the board and the classroom are as shot, and the other students stay as filmed; play with sound.
The teacher in the mustard cardiganA teacher with a low bun in emerald
The student in the denim shirtA grey-bearded man in burgundy
O que muda e o que fica
| Muda | Fica como foi filmado |
|---|---|
| The teacher and the student: face, hair, age | The question, the answer and every gesture |
| Their wardrobe, taken from the cast photos | The classroom, the other students and framing |
| Only the people you give a photo to | Warm light, timing and the recorded sound |
Exemplos de situações
Recast one role only
Swap the teacher and keep the class exactly as filmed, so one change does not mean a new shoot.
A lead change after wrap
The teacher was recast after the classroom days. Put the new lead onto the takes you already have.
A cast per market
Shoot a classroom drama or an ad once, then recast the lead for each region it runs in.
How do I recast the actors in a classroom scene without reshooting?
- 01
Upload the classroom shot
Add one clip up to 30 seconds. For a longer sequence, recast it shot by shot and cut the shots together on the Compose timeline.
- 02
Add a photo per person you recast
One photo for each person you replace, dressed the way they should look on screen. Anyone you give no photo stays exactly as shot.
- 03
Name each swap and run it
Ask Copilot, for example: the teacher in the mustard cardigan becomes the woman in photo 1, the student in denim becomes the man in photo 2.
Vai trocar só uma pessoa? O workflow compartilhado só precisa do clipe e de uma foto.
Abrir o workflowNotas de produção
Consent and releases
Recast only footage you hold releases for, and use photos of people who agreed to appear. Every example here uses generated people, not real actors.
When to also dub
The recast keeps the original soundtrack. For new lines or another language, run Morphic Dub on the recast shot so the voices and lips match.
Recast or reshoot
Recasting a classroom scene skips a new shoot day and calling the cast back, and one take can carry a cast per market. Reshoot only when the action must change.
Review it as a team
Keep the source shot, the cast photos and every take in one project, where teammates in your workspace open the same versions and comment on each.

