Recast a spokesperson video with AI
Morphic Recast swaps the people in finished footage while keeping the original performance, camera and timing, so the spokesperson can be recast without a reshoot. Film the message once, add a photo of the spokesperson for each market, and every word, nod and smile lands the same way.
- Clipes de 30 segundos
- Uma foto por pessoa
- Planos pagos
One brand message, a new spokesperson. One photo, a new spokesperson. The line, the nod at the end, the lobby and the daylight are as filmed; play with sound to hear the same take.
The spokesperson in the navy blazerA woman in her fifties in a camel blazer
O que muda e o que fica
| Muda | Fica como foi filmado |
|---|---|
| The spokesperson: face, hair, age and look | Every word, lip movement, nod and smile |
| Their wardrobe, taken from the cast photo | The set, the framing and the camera |
| Nothing else in the shot | The light and the recorded soundtrack |
Exemplos de situações
A face for each market
Film the brand message once, then recast the spokesperson for each region the campaign runs in.
A new brand ambassador
The face of the brand changed after the shoot. Recast the finished videos instead of filming them again.
Test before you cast
See how a candidate looks delivering your message on your set before you book them for the shoot.
How do I recast the spokesperson in a brand video for different markets?
- 01
Upload the spokesperson take
Add one clip up to 30 seconds. For a longer sequence, recast it shot by shot and cut the shots together on the Compose timeline.
- 02
Add a photo per spokesperson
One photo for each person you replace, dressed the way they should look on screen. Anyone you give no photo stays exactly as shot.
- 03
Run Morphic Recast
For one spokesperson, the Recast character swap workflow takes the clip and the photo. The words, timing, set and light stay as filmed.
Vai trocar só uma pessoa? O workflow compartilhado só precisa do clipe e de uma foto.
Abrir o workflowNotas de produção
Consent and releases
Recast only footage you hold releases for, and use photos of people who agreed to appear. Every example here uses generated people, not real actors.
When to also dub
The recast keeps the original soundtrack. For new lines or another language, run Morphic Dub on the recast shot so the voices and lips match.
Recast or reshoot
Recasting a brand video skips a new shoot day and calling the cast back, and one take can carry a cast per market. Reshoot only when the action must change.
Review it as a team
Keep the source shot, the cast photos and every take in one project, where teammates in your workspace open the same versions and comment on each.
