Smoke transition effect

Transitions where a rolling bank of smoke fills the frame for a beat and a different scene is waiting behind it when the smoke thins.

Smoke transition effect

Smoke transition effect examples

Smoke crosses a wide street

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A rolling bank travels the wide frame and leaves a different street. a wide shot of an empty cobbled street in flat morning light, a dense bank of grey smoke rolling across the whole frame from left to right at head height until the street is completely hidden, then rolling out of frame right to leave a wide desert road with the same horizon height and vanishing point, morning grey replaced by hard amber light

Ground smoke lifts to a forest

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Low smoke rises to fill the frame and drops onto another landscape. a wide shot of a flat dry field with low grey smoke lying along the ground, the smoke lifting as a single sheet up through the frame until everything is obscured, then falling back down to leave a dense green forest floor in the same wide framing, the horizon line matched, pale flat light turning into broken green shade

Smoke pours down a stairwell

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Smoke falls from the top of frame and hands over to a new space. a vertical shot looking up a concrete stairwell, dense grey smoke pouring down from the top of frame and filling the shot from the top edge to the bottom until nothing of the stairs is visible, then sinking out of the bottom of frame to leave a bright open glass atrium in the same upward angle, hard shafts of light cutting through the smoke as it goes

Smoke curls off a candle

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A thin trail thickens into a full wipe and a new shot is behind it. a close vertical shot of a just extinguished candle with one thin ribbon of smoke rising from the wick, the ribbon thickening and multiplying until the grey fills the whole frame, then peeling back to reveal a single desk lamp glowing on a cluttered desk in the same frame position, deep shadow before and a warm pool of lamp light after

Bank rolls in from the side

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A wall of smoke crosses the lens and a different room is behind it. a vertical shot of a person standing in a narrow brick alley at dusk, a thick bank of grey smoke rolling in from the right edge of frame and building until the whole lens is solid opaque grey for a beat, then thinning from the left to reveal the same person in the same stance standing in a lamplit library aisle, cool blue dusk light replaced by warm lamp light

Smoke off a hot pan

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Rising kitchen smoke covers the lens and a workshop appears. a vertical shot of a hot dark pan on a stove with a thick column of smoke rising straight into the lens, the column widening until the frame is fully obscured in grey, then breaking apart into thinning wisps to reveal a wooden workbench with hand tools laid out in the same frame position as the pan, warm stove light giving way to cool window light

Smoke behind a moving car

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Smoke off a wheel swamps the frame and another road appears. a wide low shot of a plain dark car turning hard on loose gravel, grey smoke boiling off the rear wheel and swelling forward until it covers the whole frame, then thinning to leave the same car driving straight on a wet mountain road in the same frame position, dry dusty light replaced by cold blue overcast

Exhaled cloud takes the frame

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A breath of smoke fills the lens and clears onto another setting. a close vertical shot of a person breathing out a slow plume of pale smoke toward the lens in a dark room, the plume expanding until it fills and whites out the entire frame, then curling away in ribbons to reveal the same face in daylight on a balcony, the breath finished, one soft key from the side before and open sky light after

Two figures handed over

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Smoke crosses between two people standing in the same place. a wide shot of a person standing alone in the middle of an empty warehouse, a thick roll of smoke crossing the frame at waist height and climbing to cover them entirely, then dispersing upward to show a different person standing in exactly the same spot in the same posture, the warehouse unchanged, one high window lighting the smoke from behind

Spinning figure inside smoke

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Smoke fills a turn and the person comes out of it elsewhere. a vertical shot of a person turning on the spot on a bare dark floor, smoke boiling up around their feet and climbing their body as they turn until the whole frame is opaque, then clearing outward from the centre to show the same person still turning at the same speed in a sunlit courtyard, the turn unbroken, hard low light on the smoke as it lifts

Generate your own smoke transition effect

Escolha um ponto de partida, edite o que quiser e gere no Morphic.

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Perguntas frequentes

Where can I make a smoke transition video?
You can make smoke transition clips in your browser on Morphic. Describe where the smoke comes from, how it covers the lens and what waits behind it, and Text to Video generates the move. Frames to Video puts the smoke wipe between your own two stills.
What is the smoke transition effect?
It is a cut hidden inside smoke. An opaque rolling volume fills the frame for a beat, and when it thins the scene behind it has changed. Because the smoke covers the lens completely, the two halves can be entirely different places.
How do I prompt a smoke transition?
Name the source, the direction of travel and the moment of full cover, then say what the clearing smoke reveals and in which direction it leaves. Add a backlight so the volume reads. Without the full cover beat you get haze over a visible cut.
Can I make a smoke transition from my own footage?
Yes. Use Frames to Video with the last frame of your first shot and the first frame of your second, and describe the smoke rolling in, covering the lens and clearing. You can also generate a wipe on its own and lay it between two clips on the timeline.
Which shots work best for a smoke transition?
Shots with a strong light source behind or across the smoke work best, since that is what gives the volume its shape. Matching the horizon height and the framing on both sides makes the reveal land, even when the two places are unrelated.
How long should a smoke transition last?
Keep the fully obscured beat short. A long hold on solid grey reads as a mistake, while a brief full cover reads as one move. Give most of the clip to the roll in and the clear out, and let the reveal begin before the smoke has gone.