Recast a dance scene with AI
Morphic Recast swaps the actors in finished footage while keeping the original performance, camera and timing, so a dance scene can be recast without a reshoot. Give it the routine and one photo per dancer: every knee lift, spin and pose hits the same beat, with new dancers performing it.
- Clips de 30 segundos
- Una foto por persona
- Planes de pago
One routine, two new dancers. Two photos, two new dancers. Every knee lift, spin and pose lands on the same beat, and the studio, the light and the music are as shot.
The dancer in the white t-shirtA white-haired man in a black tracksuit
The dancer with the high bunA woman with a platinum pixie in red
Qué cambia y qué se mantiene
| Cambia | Se mantiene como se rodó |
|---|---|
| Both dancers: face, hair, age and build | Every move, on the same beat |
| Their outfits, taken from the cast photos | The studio, the windows and the light |
| Only the people you give a photo to | The locked-off camera and the music |
Ejemplos de montaje
A dancer per market
Shoot the routine once for a campaign, then recast the dancers for each region the spot runs in.
Rehearsal to final cast
Block the choreography with the dance team, then put the final performers onto the same take.
Swap one dancer
Replace only one dancer in a duo or a crew and keep everyone else exactly as filmed.
How do I recast the actors in a dance scene without reshooting?
- 01
Upload the dance shot
Add one clip up to 30 seconds. For a longer sequence, recast it shot by shot and cut the shots together on the Compose timeline.
- 02
Add a photo per dancer
One photo for each person you replace, dressed the way they should look on screen. Anyone you give no photo stays exactly as shot.
- 03
Name each swap and run it
Ask Copilot, for example: the dancer in the white t-shirt becomes the man in photo 1. The moves, timing and music stay as shot.
¿Solo cambias a una persona? El workflow compartido solo necesita el clip y una foto.
Abrir el workflowNotas de producción
Consent and releases
Recast only footage you hold releases for, and use photos of people who agreed to appear. Every example here uses generated people, not real actors.
When to also dub
The recast keeps the original soundtrack. For new lines or another language, run Morphic Dub on the recast shot so the voices and lips match.
Recast or reshoot
Recasting a dance routine skips a new shoot day and calling the cast back, and one take can carry a cast per market. Reshoot only when the action must change.
Review it as a team
Keep the source shot, the cast photos and every take in one project, where teammates in your workspace open the same versions and comment on each.
