Evil

A heavy door groaning open, a pipe organ pedal note swelling from nothing, an iron bell tolling and chains dragged across stone. Describe the evil presence your scene needs and Morphic generates it clean.

  • A creaking door, an organ swell, a tolling bell or dragged chains, just as described
  • Generated for the villain entrance in your dark fantasy game, down the castle steps
  • Isolated sinister sounds you download and lay under the reveal in your edit
A heavy iron chain coiled on dark stone under warm overhead light on black, a few links lifting mid-drag

Evil sounds for games, animation, and video edits

Slow door creak

A long low groan of an old door opening by itself, the oldest sign that something evil has arrived in the house.

Organ pedal swell

A deep pipe organ note swelling from nothing to a rumbling roar, for a villain lair, a cursed crypt or a dark boss.

Tolling bell

Three deep heavy strikes with a long dark ring, for a funeral, a summoning or the start of something terrible.

Chains dragged

Heavy iron links grinding and clanking across stone, for a dungeon, a chained beast or a ghost that will not rest.

Flames roaring up

A roaring whoosh of fire bursting up and crackling on, for a portal opening, a demon arriving or a hellish pit.

Ground splitting

A deep grinding crack and rocks tumbling into a rumble, for the earth opening under a cursed place or a final boss.

Generate a evil sound from a prompt

Elige un punto de partida, edita lo que quieras y genéralo en Morphic.

Generar

Ways to use a evil sound effect

Announce the villain with a tolling bell

Three heavy bell strikes as a dark figure appears land the entrance, in fantasy films, boss fights and animated villain reveals.

Editar prompt
Announce the villain with a tolling bell

Hold a dread-filled pause with no score

A low organ note swelling under a long shot carries the dread on its own, in horror films, dark fantasy games and audio drama.

Editar prompt
Hold a dread-filled pause with no score

Open in a cursed dungeon below the castle

Chains dragging across stone set a dungeon or a prison of the damned at once, for games, animated stories and horror podcasts.

Editar prompt
Open in a cursed dungeon below the castle

Let the door open on something unseen

A heavy door creaking open with no one there tells the audience evil is in the house, without showing it, in films, games and radio plays.

Editar prompt
Let the door open on something unseen

Precios simples

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$19/ mes
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$24/ mes
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$45/ mes
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6350 compartidos mensual créditos

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Max

$170/ mes
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24650 compartidos mensual créditos

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+ hasta 9 más con costo adicional

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Preguntas frecuentes

What is an evil sound effect?
Evil sounds are the sounds that make a scene feel sinister: a door creaking open by itself, a low organ swell, a tolling bell, dragged chains, roaring flames and the ground splitting. They signal a dark presence before it appears.
Where can I get evil sounds for a video?
Tell Morphic the sinister sound you are after and it generates one built for your scene. No horror library to dig through, and every sound on this page was made from the prompt printed beside it, so each one is a ready base.
How do I make a custom evil sound effect?
Pick the source, how deep it is and how slowly it moves, then generate it. A prompt like "a large iron bell tolling slowly, three loud deep heavy strikes with a long dark ringing decay" works well, and you can lower or slow it further.
What is the difference between evil, dark and demon sounds?
Demon sounds are a creature, growls and roars. Dark sounds are the setting, drones, drips and wind in the dark. Evil sounds point to intent, a door opening on its own, a bell tolling or chains, the signs that something wicked is here.
Can I use these evil sounds commercially?
Yes, audio generated on paid plans can be used commercially. See our terms for full licensing details. Because each sound is generated for you, you also avoid the clip turning up in someone else's video.
Why does my evil sound not sit right in the edit?
Evil sounds lose their power when they come in at full volume. Let a swell or a creak rise from nothing under the shot, keep it lower than you think, and leave a beat of silence before the reveal.