Live action to claymation with AI Recast
Morphic Recast swaps the actors in finished footage while keeping the original performance, camera and timing, so the scene can be recast without a reshoot. Give it a clay puppet design for each actor and the whole shot takes on a handmade stop-motion look, with every gesture on the same beat.
- 최대 30초 클립
- 한 사람당 사진 한 장
- 유료 플랜
A park bench, in clay. Two puppet designs, one stop-motion scene. The bench, the leaves and the couple are in clay, and the turn, the smile and both lines land on the same frames; play with sound.
The woman in the blue raincoatHer clay puppet version
The man in the tweed capHis clay puppet version
바뀌는 것과 그대로인 것
| 바뀌는 것 | 촬영한 그대로 남는 것 |
|---|---|
| The couple, as your clay puppets | Every glance, smile and line |
| The park, in the same handmade look | The bench, the layout and the blocking |
| The textures, taken from your designs | The framing, the camera and the sound |
활용 예시
Stop-motion without the rig
Test a stop-motion look on live-action footage before committing to weeks of frame-by-frame animation.
Performance to puppets
Let actors give the performance, then turn them into puppets so the acting and timing carry over.
Test the puppet design
Try a few puppet designs of the same character on one take and see which reads best in motion.
How do I turn live-action actors into claymation characters with AI?
- 01
Upload the live-action shot
Add one clip up to 30 seconds. For a longer sequence, recast it shot by shot and cut the shots together on the Compose timeline.
- 02
Add a puppet design per actor
One clay puppet design for each actor you convert, clothes included. Anyone you give no design stays as shot.
- 03
Name each swap and run it
Ask Copilot to render the whole shot as handmade clay stop-motion, naming each person by clothing so each becomes the right puppet.
한 사람만 바꾸나요? 공유 워크플로에는 클립과 사진 한 장만 있으면 됩니다.
워크플로 열기제작 노트
Consent and releases
Recast only footage you hold releases for, and use photos of people who agreed to appear. Every example here uses generated people, not real actors.
When to also dub
The recast keeps the original soundtrack. For new lines or another language, run Morphic Dub on the recast shot so the voices and lips match.
Recast or reshoot
Recasting a scene skips a new shoot day and calling the cast back, and one take can carry a cast per market. Reshoot only when the action must change.
Review it as a team
Keep the source shot, the cast photos and every take in one project, where teammates in your workspace open the same versions and comment on each.
