The firing boom with its rolling tail, a whole broadside, the shot landing somewhere else, the ramrod and the fuse. Describe the distance and Morphic builds it.

Ask for the tail, because how long the boom rolls is what sets the size of the battlefield
Audio cut for your scene rather than a stock cannon used across other productions
Download clean audio and drop it straight into your edit

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Cannons for film, games, and animation

Single shot

A heavy compressed boom with a hard front edge and a long rolling tail. The tail is what makes it a cannon rather than a blast.

프롬프트 편집

Broadside

Several booms at slightly different moments overlapping into one roll. The offsets are what stop it sounding like one loud shot.

프롬프트 편집

Distant shot

The sharp front edge gone, soft and slow to fade. Places the battle somewhere over a hill.

프롬프트 편집

Shot landing

A whistle falling in pitch then a heavy impact and debris. The receiving end, which most cannon audio forgets.

프롬프트 편집

Ramrod and load

A shaft pushed twice down a hollow tube with a scrape and a firm stop. The waiting that makes the firing land.

프롬프트 편집

Fuse burning

A fine sputtering hiss travelling and speeding up. Four seconds of dread before anything happens.

프롬프트 편집

Generate a cannon from a prompt

시작점을 고르고 원하는 대로 수정한 뒤 Morphic에서 생성하세요.

생성하기

Ways to use a cannon sound effect

Punctuate the order to fire

The boom on the cut is the loudest punctuation a period scene has, and it works the same in a game as on film.

프롬프트 편집

Fill the wait without music

A fuse burning carries four seconds of nobody moving, and the acceleration at the end times the cut for you.

프롬프트 편집

Tell the audience how far the battle is

A hard front edge means here. Only a dull low roll means over the hill. The missing top is the distance.

프롬프트 편집

Show a hit you never film

A falling whistle and an impact puts the shot landing somewhere off screen, so a scene can stay on the people who fired it.

프롬프트 편집

이런 것도 좋아하실 거예요

Impacts & action 효과음 더 보기

간단한 가격

오늘 무료로 시작하고 언제든지 업그레이드하거나 취소할 수 있습니다.

Basic

/ 월

청구 금액 $0 년

1100 월간 크레딧

1 명 전용

모든 모델

워크플로

Standard

/ 월

청구 금액 $0 년

3625 월간 크레딧

1 명 전용

모든 모델

워크플로

Pro

/ 월

청구 금액 $0 년

6350 공유 월간 크레딧

1 사용자

+ 최대 4 명 추가 비용으로 추가 가능

모든 모델

워크플로

Pro Max

/ 월

청구 금액 $0 년

24650 공유 월간 크레딧

1 사용자

+ 최대 9 명 추가 비용으로 추가 가능

모든 모델

워크플로

Enterprise

더 높은 제한

사용자 정의

가격 및 청구 조건

대용량 크레딧

맞춤형 시트 제한

모든 모델

워크플로

Free

가볍게 사용해보기

영구 무료

최대 20 크레딧

1명 전용

일부 모델

워크플로

플랜 세부 정보 비교

자주 묻는 질문

How is a cannon different from an explosion?

A cannon fires something. An explosion happens in place. That means a cannon has a direction, a projectile, and a loading sequence, none of which an explosion page carries.

How do I make the battlefield feel large?

Lengthen the tail. A boom with a long rolling decay reads as open ground, where a short tail reads as an enclosed space. The front of the sound barely changes.

How do I get a broadside rather than one loud shot?

Offset the guns. Ask for several booms firing at slightly different moments and overlapping into one roll, since perfectly simultaneous shots read as a single sound turned up.

What does most cannon audio leave out?

The landing. A falling whistle and a heavy impact with debris puts the shot somewhere, and without it a scene is all firing and no consequence.

What is worth generating for a period scene?

The loading. A ramrod down a hollow tube and a fuse burning do more for authenticity than the boom does, because they are the sounds an audience has not heard a hundred times.

Can I use these in a game or a film?

Yes. Audio generated on a paid Morphic plan is cleared for commercial use, including games, film, and broadcast.