Slow pressure rather than impact: a hand closing on something soft, a boot in mud, fruit giving way, a sponge, and the suck as something is pulled back out.

Ask for pressure over time, which is what separates a squish from something being thrown
Foley cut for your shot rather than a stock squelch used across other productions
Download clean audio and drop it straight into your edit

Create now 효과음 라이브러리 둘러보기

Pressure Foley for film, games, and animation

Hand closing

A soft mass squeezed steadily, thick and unhurried. The pressure builds through the clip rather than landing at the front.

프롬프트 편집

Boot in mud

A deep sucking compression with a long settle. The settle after the weight lands is what makes it read as deep.

프롬프트 편집

Fruit giving way

A wet press ending in a brief tearing release as the skin splits. The tear is what makes it a fruit rather than a sponge.

프롬프트 편집

Sponge

Air and water forced out of an open texture. Lighter and airier than the rest, with no weight behind it.

프롬프트 편집

Pulled back out

A long wet suck as something is drawn out slowly. Often the more useful half, because it implies what went in.

프롬프트 편집

Repeated squelch

Several compressions at uneven spacing. Reads as footsteps through something without needing a footstep at all.

프롬프트 편집

Generate pressure Foley from a prompt

시작점을 고르고 원하는 대로 수정한 뒤 Morphic에서 생성하세요.

생성하기

Ways to use a squish sound effect

Punctuate a grip tightening

A slow compression under a close-up of a hand does what a cutaway would, and it builds through the shot rather than landing on one frame.

프롬프트 편집

Fill a walk without music

Repeated squelches at uneven spacing carry somebody crossing wet ground, so a travelling shot has a floor without a track.

프롬프트 편집

Tell the audience what the ground is like

A light airy compression reads as a sponge. A deep suck with a long settle reads as mud somebody may not get out of.

프롬프트 편집

Tell the audience what the ground is like

Imply what you never show

A long wet suck as something is drawn out lets a scene go somewhere the picture will not, and the audience fills in the rest.

프롬프트 편집

이런 것도 좋아하실 거예요

Foley 효과음 더 보기

간단한 가격

오늘 무료로 시작하고 언제든지 업그레이드하거나 취소할 수 있습니다.

Basic

/ 월

청구 금액 $0 년

2400 월간 크레딧

1 명 전용

모든 모델

워크플로

Standard

/ 월

청구 금액 $0 년

3625 월간 크레딧

1 명 전용

모든 모델

워크플로

Pro

/ 월

청구 금액 $0 년

6350 공유 월간 크레딧

1 사용자

+ 최대 4 명 추가 비용으로 추가 가능

모든 모델

워크플로

Max

/ 월

청구 금액 $0 년

24650 공유 월간 크레딧

1 사용자

+ 최대 9 명 추가 비용으로 추가 가능

모든 모델

워크플로

Enterprise

더 높은 제한

사용자 정의

가격 및 청구 조건

대용량 크레딧

맞춤형 시트 제한

모든 모델

워크플로

Free

가볍게 사용해보기

영구 무료

최대 20 크레딧

1명 전용

일부 모델

워크플로

플랜 세부 정보 비교

자주 묻는 질문

What is the difference between a squish and a splat?

Time. A splat is an impact that is over instantly, where a squish is pressure applied across the whole clip with nothing thrown. Asking for slow and steady is what keeps them apart.

Why does my squish come back almost silent?

Wet compressions are a low-energy class that one model collapses toward silence whatever the wording. Every card here is generated on Seed Audio for that reason.

How do I make it sound deep rather than light?

Add a settle. A deep suck followed by a long settle reads as thick mud, while an airy compression with no settle reads as a sponge. The tail carries the depth.

Which half should I use for a squeamish moment?

The release. Something being drawn slowly back out is usually more effective than the press, because it implies what happened without the scene ever depicting it.

How do I get footsteps through wet ground?

Use the repeated squelch rather than a footstep clip. Several compressions at uneven spacing reads as somebody walking, and the unevenness is what makes it a person rather than a machine.

Can I use these in a commercial project?

Yes. Audio generated on a paid Morphic plan is cleared for commercial use, including film, games, and advertising.