Recast a courtroom scene with AI
Morphic Recast swaps the actors in finished footage while keeping the original performance, camera and timing, so a courtroom scene can be recast without a reshoot. Recast only the lead: every step toward the jury, every pause and gesture lands on the same beat, and the judge and jurors stay exactly as filmed.
- Clips de 30 secondes
- Une photo par personne
- Forfaits payants
A closing argument, new lead. One photo, a new lead. The walk to the jury box, the open hand and the tap on the rail land on the same frames; the judge and every juror had no photo and stay as shot.
The lawyer in the navy three-piece suitA grey-bearded man in a charcoal suit
Ce qui change et ce qui reste
| Ce qui change | Reste comme au tournage |
|---|---|
| The lead lawyer: face, hair, age and look | Every step, pause and gesture, on the beat |
| Their suit, taken from the cast photo | The judge, the jury and the gallery |
| Only the people you give a photo to | The camera track, the room and the window light |
Exemples de mises en scène
A new lead, same take
Your lead changed after the trial scenes were shot. Recast them and keep the jury, judge and gallery as filmed.
A lawyer per market
Shoot a legal drama once, then recast the lead counsel for each region the series is sold to.
Test a lead in the room
See how a candidate plays the closing in your real courtroom set before you commit to casting them.
How do I recast the actors in a courtroom scene without reshooting?
- 01
Upload the courtroom shot
Add one clip up to 30 seconds. For a longer sequence, recast it shot by shot and cut the shots together on the Compose timeline.
- 02
Add a photo per person you recast
One photo for each person you replace, dressed the way they should look on screen. Anyone you give no photo stays exactly as shot.
- 03
Name the swap and run it
Ask Copilot, for example: the lawyer in the navy suit becomes the man in photo 1. Everyone without a photo stays exactly as filmed.
Une seule personne à remplacer ? Le workflow partagé n’a besoin que du clip et d’une photo.
Ouvrir le workflowNotes de production
Consent and releases
Recast only footage you hold releases for, and use photos of people who agreed to appear. Every example here uses generated people, not real actors.
When to also dub
The recast keeps the original soundtrack. For new lines or another language, run Morphic Dub on the recast shot so the voices and lips match.
Recast or reshoot
Recasting a courtroom scene skips a new shoot day and calling the cast back, and one take can carry a cast per market. Reshoot only when the action must change.
Review it as a team
Keep the source shot, the cast photos and every take in one project, where teammates in your workspace open the same versions and comment on each.
