Hurricane

The howl of a storm bearing down, ready to play: driving wind, rattling debris, and the low roar behind it all. Describe the hurricane your scene needs and Morphic generates it in seconds.

  • Wind written to the strength you need, from an uneasy pre-storm push to the full noise of landfall
  • A storm built for your footage, not the weather bed running under half the news packages online
  • Full-bandwidth audio that keeps its rumble on a phone speaker and in a cinema alike
A single palm bent hard sideways under warm low light against a dark sky, fronds streaming as the wind drives them flat

Hurricane sounds for film, games, and animation

Roaring wind

A dense continuous wall of air with real weight underneath it. The foundation layer for anything at full storm strength.

Whistling gusts

High thin tones squeezed through gaps and wires, rising and falling. Adds edge and movement over the steady roar.

Debris in the gale

Loose objects tumbling, clattering and striking surfaces at speed, for the point where the storm starts taking things apart.

Low storm roar

Mostly bass, felt more than heard, for wide shots and approach sequences where the weather still sits on the horizon.

Rain-lashed wind

Water driven sideways against walls and windows in bursts: the version to use when your camera is stuck indoors.

Structure under strain

Timber groaning, metal flexing and fixings working loose, the sound of a building deciding whether it will hold.

Generate a hurricane sound from a prompt

出発点を選び、好きなように編集して、Morphicで生成しましょう。

生成

Ways to use hurricane sound effects

Hit the moment the roof gives way

A gust spiking as the glass goes puts the audience inside the moment, and lands the same way in a documentary cutdown or an animated storm sequence.

プロンプトを編集
Hit the moment the roof gives way

When the reporter stops talking

Gaps in narration during a weather report are where the storm should take over, and a rising roar fills those seconds in broadcast or podcast form.

プロンプトを編集
When the reporter stops talking

A coastline about to be hit

Steady low wind under a wide shot of grey water warns a viewer what is coming while the town on screen is still perfectly calm.

プロンプトを編集
A coastline about to be hit

The street outside the boarded window

Debris skidding past and timber straining make the danger real for characters sheltering indoors, with nothing outside ever needing to be shown.

プロンプトを編集
The street outside the boarded window

シンプルな料金体系

今すぐ無料で始めて、いつでもアップグレードまたはキャンセルできます。

Basic

$9/
請求額は $0

900 月 クレジット

1 ユーザーのみ

すべてのモデル

ワークフロー

Standard

$24/
請求額は $0

3200 月 クレジット

1 ユーザーのみ

すべてのモデル

ワークフロー

Pro

$45/
請求額は $0

6200 共有 月 クレジット

1 ユーザー

+ 最大 4 名まで追加費用

すべてのモデル

ワークフロー

Pro Max

$170/
請求額は $0

24000 共有 月 クレジット

1 ユーザー

+ 最大 9 名まで追加費用

すべてのモデル

ワークフロー

Enterprise

より高い制限のために

カスタム

料金と請求条件

大容量クレジット
カスタムシート制限
すべてのモデル
ワークフロー
Pricing Gradient

Free

気軽に試したい方に

$0

ずっと無料

最大20クレジット
1ユーザーのみ
一部のモデル
ワークフロー

よくある質問

What is a hurricane sound effect?
It is the sustained sound of a severe storm: a driving, roaring wind, whistling gusts forcing through gaps, a low rolling roar beneath, and the rattle of debris carried in the air. On screen it is usually built in layers, because one clean roaring bed plus a gust and a debris layer reads as a real storm far better than a single recording does.
Where can I get hurricane sounds for a video?
Generate them rather than search for them. Describing the storm you want takes less time than digging through a stock library, and you get the exact layers your scene needs instead of the closest available clip. Every sound on this page was made from the prompt printed beside it, so you can start from one and adjust it.
How do I make a custom hurricane sound effect?
Describe what the wind is doing, what it is carrying, and how heavy it should feel, then generate it. A prompt like "a continuous roaring wind with a low rumble beneath and sharp debris bursts" gives Morphic enough to work with, and you can adjust the wording until the storm fits your cut.
How do I build a full hurricane rather than one wind track?
Generate the layers separately and stack them. A roaring wind bed sits underneath, a low storm roar adds mass, and whistling gusts and debris bursts ride on top for edge and threat. Building it this way lets you raise the danger for a landfall shot and pull it back for a lull, which one fixed recording cannot do.
Can I use these hurricane sounds commercially?
Yes, audio generated on paid plans can be used commercially. See our terms for full licensing details. Because each sound is generated rather than pulled from a shared library, you also avoid the clip turning up in someone else's video.
Why does my hurricane sound not sit right in the edit?
Usually it is too thin rather than too quiet. A single wind track reads as a breezy day, not a hurricane, because a real storm is several layers at once. Generate a roaring bed, a low roar, and a gust or debris layer, stack them, and the storm gains the weight and threat a lone recording never carries.