Taser sound effects

The arc test held in the air, the cartridge firing, the five-second cycle, and the trigger and safety around it. Describe the moment in the sequence and Morphic builds it.

  • Ask for the rate, because the even mechanical pulse is what makes a device read as a device
  • Audio cut for your scene rather than a stock crackle already used across other productions
  • Download clean audio and drop it straight into your edit
Taser sound effects

Stun-device sounds for film, games, and animation

Arc test

Hard snaps at an even mechanical rate. The regularity is the whole cue, because irregular crackling reads as a fault rather than a working device.

Cartridge fire

A compressed pop and a fast rushing hiss straight after it. Two events in one clip, which is why it reads as something launched rather than discharged.

Full cycle

The same even snapping running five seconds and stopping dead. Length is the drama here, so resist trimming it short.

Trigger and safety

A small switch and a lighter trigger click. The beat before anything happens, and often the more frightening half.

Short burst

A one-second warning discharge rather than a full cycle. Reads as a threat where the full cycle reads as an action.

Winding down

Snaps slowing and thinning as the charge drops away. Use it when the device fails partway through a scene.

Generate a stun device from a prompt

出発点を選び、好きなように編集して、Morphicで生成しましょう。

生成

Ways to use a taser sound effect

Punctuate a threat

A short burst on the cut ends an argument without anyone being hit, which is a cheaper and more usable beat than the full discharge.

プロンプトを編集
Punctuate a threat

Fill a standoff without music

An arc test held in the air carries three seconds of two people not moving, and it keeps the tension inside the scene.

プロンプトを編集
Fill a standoff without music

Tell the audience the device failed

Snaps that slow and thin out say the charge is gone, which turns a confrontation without a line of dialogue explaining it.

プロンプトを編集
Tell the audience the device failed

Imply the weapon you never show

A safety flicked and a trigger clicked puts a device in someone hand while the camera stays on the face opposite them.

プロンプトを編集
Imply the weapon you never show

シンプルな料金体系

今すぐ無料で始めて、いつでもアップグレードまたはキャンセルできます。

Basic

$9/
請求額は $0

1100 月 クレジット

1 ユーザーのみ

すべてのモデル

ワークフロー

Standard

$24/
請求額は $0

3625 月 クレジット

1 ユーザーのみ

すべてのモデル

ワークフロー

Pro

$45/
請求額は $0

6350 共有 月 クレジット

1 ユーザー

+ 最大 4 名まで追加費用

すべてのモデル

ワークフロー

Max

$170/
請求額は $0

24650 共有 月 クレジット

1 ユーザー

+ 最大 9 名まで追加費用

すべてのモデル

ワークフロー

Enterprise

より高い制限のために

カスタム

料金と請求条件

大容量クレジット
カスタムシート制限
すべてのモデル
ワークフロー
Pricing Gradient

Free

気軽に試したい方に

$0

ずっと無料

最大20クレジット
1ユーザーのみ
一部のモデル
ワークフロー

よくある質問

What makes a stun device sound like a device?
The regularity. Hard electrical snaps at an even mechanical rate read as something engineered, while the same snaps at uneven spacing read as a fault in a cable. Ask for an even rate explicitly.
How long should a discharge run?
Around five seconds for a full cycle, which is long enough to be uncomfortable to listen to. A one-second burst is a threat rather than an action, and the two are worth generating separately.
How do I get the cartridge rather than the arc?
Ask for two events in sequence: a sharp compressed pop followed immediately by a fast rushing hiss. The hiss after the pop is what makes it read as something launched.
How is this different from the electricity page?
This is one handheld device with a trigger and a cycle. The electricity page is the environment, arcs, mains hum, transformers, and faults. They share no clips.
What is the most useful clip here?
The trigger and safety, usually. It is the beat before anything happens, it works over a shot of a face, and it sets up a threat without committing the scene to the discharge.
Can I use these in a game or a monetised video?
Yes. Audio generated on a paid Morphic plan is cleared for commercial use, including games, film, and monetised video.