Generate clouds stock footage in Morphic's AI video generator: fog spilling over a ridge line, or cloud shadow running across open farmland. Layer the plates on Compose.

Cloud plates you can generate

Cloud sequences you can stage

Weather coming over the ridge

A wide on cloud pouring over a ridge line and draining down the slope, the camera tracking slowly along the crest as the cloud keeps coming.

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Light and shadow running a field

Cloud shadows chasing each other across open farmland in timelapse, the light moving in bands while the camera holds a high locked wide.

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Valley under a low deck

First light on a valley packed with low cloud, ridges standing clear above it, the camera craning down until the surface fills the lower frame.

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Sky mirrored on a lake

A windless lake holding a mirrored sky, the camera drifting low across the water until a breath of wind breaks the reflection into ripples.

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clouds stock footageの動画を3ステップで作成

  1. 一

    シーンを記述

    作りたいclouds stock footageのシーンを、わかりやすい言葉で記述します。

  2. 二

    動画を生成

    Morphicがキャンバス上に映画のようなクリップを数秒で生成します。

  3. 三

    仕上げて共有

    プロンプトを調整して再生成し、気に入ったショットを保存・共有します。

シンプルな料金体系

今すぐ無料で始めて、いつでもアップグレードまたはキャンセルできます。

Basic

$19/ 月
請求額は $0 年

2400 月 クレジット

1 ユーザーのみ

すべてのモデル

ワークフロー

Standard

$24/ 月
請求額は $0 年

3625 月 クレジット

1 ユーザーのみ

すべてのモデル

ワークフロー

Pro

$45/ 月
請求額は $0 年

6350 共有 月 クレジット

1 ユーザー

+ 最大 4 名まで追加費用

すべてのモデル

ワークフロー

Max

$170/ 月
請求額は $0 年

24650 共有 月 クレジット

1 ユーザー

+ 最大 9 名まで追加費用

すべてのモデル

ワークフロー

Enterprise

より高い制限のために

カスタム

料金と請求条件

大容量クレジット
カスタムシート制限
すべてのモデル
ワークフロー
Pricing Gradient

Free

気軽に試したい方に

$0

ずっと無料

最大20クレジット
1ユーザーのみ
一部のモデル
ワークフロー

よくある質問

Where can I make clouds stock footage with AI?
You can generate it in your browser on Morphic. Open the Text to Video tool, name the cloud type, say what it is doing and whether the clip runs in real time or timelapse, and the plate renders in minutes. You can order the exact weather your establisher needs rather than waiting for a sky that never arrives.
Which cloud shots render most reliably?
Slow, large, continuous movement is the safest brief: fog spilling over ground, a deck filling a valley, shadow crossing a field, a reflection breaking on water. Fast turbulent cells and long timelapses that have to build and collapse in one shot are harder. Keep one cloud behaviour per clip and cut between plates rather than asking for a whole weather front in one take.
How do I stop a cloud clip looking like a still photograph?
Give it a rate and a reference. Say timelapse when you want growth or collapse and real time when you want drift, then leave something motionless in frame, a ridge line, a shoreline, a rock face, so the movement has an edge to measure itself against. A camera move helps too, a slow crane down or a drift across water, because parallax reads as depth.
Do I need licences or attribution for generated cloud footage?
No. There is nothing to clear and no contributor to credit, because nothing was filmed. Keep the frames free of aircraft markings, readable text and identifiable skylines or landmarks, and the plate stays clean for commercial use in a client cut.
How is this different from cloud clips from a stock library?
A library cloud clip is whatever the sky did on the day somebody had a camera out, in their ratio, their duration and their grade. Generating means you write the cloud type, the light, the rate of time and the camera move to match the shot either side of it, and you render it vertical or wide depending on where the cut is going.