Recast a car chase scene with AI
Morphic Recast swaps the actors in finished footage while keeping the original performance, camera and timing, so a car chase scene can be recast without a reshoot. Add a photo of the new driver and passenger: every swerve, glance back and shouted warning lands on the same beat, in the same rain and neon.
- Clips bis 30 Sekunden
- Ein Foto pro Person
- Kostenpflichtige Tarife
A night chase, new driver and passenger. Two photos, a new driver and passenger. The swerve, the look back and the shouted warning land on the same frames, with the same rain, neon and bonnet camera.
The driver in the black bomber jacketA grey-templed man in a suede jacket
The passenger with long braidsA silver-haired woman in burgundy
Was sich ändert und was bleibt
| Ändert sich | Bleibt wie gedreht |
|---|---|
| The driver and the passenger | Every swerve, glance and shout, on the beat |
| Their clothes, taken from the cast photos | The car, the bonnet camera and its shake |
| Only the people you give a photo to | The rain, the neon and the passing lights |
Beispiel-Setups
Stunt drive to lead cast
Shoot the driving with stunt drivers on a closed road, then put the leads into the car afterwards.
A chase per market
Recast the people in the car for each region a series or an ad runs in, from one chase shoot.
Swap one seat only
Replace only the passenger, or only the driver, and keep the other exactly as filmed.
How do I recast the actors in a car chase scene without reshooting?
- 01
Upload the car shot
Add one clip up to 30 seconds. For a longer sequence, recast it shot by shot and cut the shots together on the Compose timeline.
- 02
Add a photo per person in the car
One photo for each person you replace, dressed the way they should look on screen. Anyone you give no photo stays exactly as shot.
- 03
Name each swap and run it
Ask Copilot, for example: the driver in the black bomber becomes the man in photo 1. The swerves, glances and timing stay as shot.
Nur eine Person austauschen? Der geteilte Workflow braucht nur den Clip und ein Foto.
Workflow öffnenProduktionshinweise
Consent and releases
Recast only footage you hold releases for, and use photos of people who agreed to appear. Every example here uses generated people, not real actors.
When to also dub
The recast keeps the original soundtrack. For new lines or another language, run Morphic Dub on the recast shot so the voices and lips match.
Recast or reshoot
Recasting a car chase skips a new shoot day and calling the cast back, and one take can carry a cast per market. Reshoot only when the action must change.
Review it as a team
Keep the source shot, the cast photos and every take in one project, where teammates in your workspace open the same versions and comment on each.
