Draw lips and refine them in your browser

Describe the mouth you want in Morphic's Image tool, from a bare contour study to a fully modelled close crop, and get a finished drawing back. Set the angle, the expression, the medium, the line weight and the paper, adjust it on the Canvas, then download it in HD.

Lip drawings to try

Mouth studies to draw

Expression study sheet

One mouth drawn several times in fine ink across a range of expressions, each small study ruled into its own box.

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Expression study sheet

Angle rotation row

The same lips drawn from several angles in graphite, so the corner placement changes across the row.

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Angle rotation row

Lips within a partial face

A cropped lower face in ink and wash, the mouth fully drawn and the nose and chin reduced to contour, with a flat grey wash under the jaw.

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Lips within a partial face

Line weight comparison

Four versions of one mouth in marker, from a bare uniform outline to a heavy weighted line, showing what weight alone does to the form.

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Line weight comparison

Créez Lips drawing en trois étapes

  1. 01

    Décrivez votre image

    Décrivez le Lips drawing que vous voulez, en mots simples.

  2. 02

    Générez l’image

    Morphic génère votre image prête à publier en quelques secondes.

  3. 03

    Peaufinez et partagez

    Ajustez le prompt, régénérez des variantes, téléchargez ou partagez l’image.

Tarifs simples

Commencez gratuitement dès aujourd'hui, avec la possibilité de mettre à niveau ou d'annuler à tout moment.

Basic

$19/ mois
facturé comme $0 par an

2400 mensuel crédits

1 utilisateur uniquement

Tous les modèles

Workflows

Standard

$24/ mois
facturé comme $0 par an

3625 mensuel crédits

1 utilisateur uniquement

Tous les modèles

Workflows

Pro

$45/ mois
facturé comme $0 par an

6350 partagé mensuel crédits

1 utilisateur

+ jusqu'à 4 plus à un coût supplémentaire

Tous les modèles

Workflows

Max

$170/ mois
facturé comme $0 par an

24650 partagé mensuel crédits

1 utilisateur

+ jusqu'à 9 plus à un coût supplémentaire

Tous les modèles

Workflows

Enterprise

Pour des limites plus élevées

Personnalisé

conditions de tarification et de facturation

Crédits à haut volume
Limites de sièges personnalisées
Tous les modèles
Workflows
Pricing Gradient

Free

Pour expérimenter

$0

gratuit pour toujours

Jusqu'à 20 crédits
1 utilisateur uniquement
Modèles limités
Workflows

Questions fréquentes

How do I draw lips that do not look flat?
Treat the mouth as a form wrapped around the curve of the teeth rather than a flat shape on a flat face. The upper lip usually turns away from the light and reads darker, the lower lip catches it and reads lighter. Getting that one tonal relationship right does more than any amount of outlining.
What is the right way to draw the line between the lips?
The parting line is the darkest mark in the whole feature, so draw it first and keep everything else lighter. Vary its weight instead of ruling it evenly, heavier in the centre and at the corners, lighter where the lips lift away from each other. A uniform line makes the mouth look drawn on.
How do I draw a smile with teeth without it looking strange?
Do not outline every tooth. Draw the top edge of the tooth row and the shadow the upper lip casts on it, then suggest only one or two separations near the centre. The teeth should read as one pale shape held inside the mouth opening.
How do I draw lips in three-quarter view?
The far corner sits much closer to the centre than feels correct, because the form is turning away from you. Draw the centre line of the mouth first as a curve that follows the cylinder of the jaw, then place both corners on it. The near half will be noticeably wider than the far half.
How do I get a plain background behind a mouth study?
Ask for a flat white paper background with no face or setting around the feature, then crop it on the Canvas to the exact framing you want. That keeps a study sheet clean and makes it easy to drop a single mouth into a reference page or a print layout.
Can I keep a set of lip studies in one consistent style?
Use Style Transfer. Lock the look of the first study, then apply it as you generate each angle and expression so the line weight, shading approach and paper tone stay the same. That consistency is what makes a set of feature studies read as one sheet rather than six unrelated drawings.