Kling prompt library

Kling prompt library on Morphic

Tested Kling prompts you can copy and run on Morphic. Each one explains what the parts do, so you can adapt rather than guess.

Dolly into a lit workbench

A slow dolly pushes straight in along the length of a workbench and comes to rest framing an open watch movement. A watchmaker sets down a loupe, draws a tray of parts into the light and leaves their hands resting either side of it. A single angled desk lamp throws warm light across brass and steel, the room behind falling to black. Anamorphic, 40mm, fine film grain. Even continuous travel, no acceleration. About 6 seconds. <a faint escapement tick, a tray scraping wood>. No music.

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Crane up over a harbour wall

A crane rises smoothly from just below the top of a stone harbour wall until the moored fleet beyond comes fully into view. Fishing boats rock at their lines, a gull lifts off a bollard and gear shifts on a deck as the swell passes under the hulls. Cold blue dawn with the first warm light on the masts, wet granite and pale rope. Anamorphic, 28mm, deep focus. One continuous rise, no pause at the top. About 8 seconds. <water slapping stone, rigging, distant gulls>. No music.

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Half orbit onto a stance

A vertical orbit sweeps halfway around a boxer and comes to rest square on their guard. They roll the shoulders loose, then snap both hands up into position and hold as the camera arrives, breath still moving the chest. A hard key from high behind throws rim light along the arms, the gym falling black behind. Anamorphic, 50mm, crisp motion. A committed sweep that decelerates onto the pose. About 6 seconds. <a sharp exhale, gloves tapping, rope creak>. No music.

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Dutch roll into a corner

The camera holds on a concrete stairwell and slowly rolls until the horizon sits well off level, settling at the canted angle. A figure climbs into frame from below and pauses on the half landing, looking up out of shot. One caged bulb overhead, hard shadows down the walls, sodium yellow against wet grey concrete. Anamorphic, 28mm, high contrast. A slow deliberate roll that stops and holds. About 6 seconds. <a buzzing bulb, echoing footsteps>. No music.

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Handheld follow through a market

A handheld camera follows just behind a shopper threading through a covered market, with a small natural sway and one correction as they change direction. They lift a bag clear of a stall edge, sidestep a trolley and carry on without looking back. Mixed daylight through a glass roof and warm stall lamps, saturated produce against grey steel. Anamorphic, 24mm, deep focus. Loose but controlled, never lurching. About 10 seconds. <overlapping voices, crates, a till>. No music.

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Overhead descent onto a table

A straight-down camera descends toward a table as it is being laid, ending close above the finished setting. Two people reach in from opposite edges of the frame, their hands, placing plates, folding a napkin and setting a glass down last with a small ring. Soft even overhead light, no directional shadow, linen white against dark oak. Anamorphic, 50mm, flat plane. A smooth vertical drop that stops cleanly. About 8 seconds. <ceramic on wood, glass, cloth>. No music.

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Dolly out of a kitchen doorway

A steady dolly retreats from a working restaurant pass, the frame widening until a doorway edge enters both sides and boxes the whole scene. Two cooks plate and slide dishes onto the pass without breaking rhythm, one calling something over a shoulder. Hot overhead service lights against a dim corridor foreground, steel and steam, warm centre and cool edges. Anamorphic, 35mm, shallow falloff. Constant retreat at a walking pace. About 8 seconds. <ticket printer, pans, a called order>. No music.

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Crane down to a puddle

A crane descends from the rooftops of a narrow street down to a still puddle in the gutter, ending with the buildings held upside down in the water. Rain has just stopped, a last drip falls from a sill and rings the surface once as the camera settles. Overcast late light, brick and lead grey, one warm window burning yellow. Anamorphic, 32mm, deep focus. A steady fall that decelerates into the final frame. About 8 seconds. <dripping water, a far-off car horn>. No music.

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Whip pan between two hands

A whip pan snaps from one pair of hands at a table to another pair opposite, the middle of the move smearing into pure streak. The first hands set a cup down and lift away, the second hands close around a folded note and draw it back. Low warm café light from a window, dark wood and cream ceramic. Anamorphic, 35mm, heavy horizontal blur. Still, a violent snap, still again. About 5 seconds. <cup on saucer, paper, room murmur>. No music.

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Tilt down to the water line

A slow tilt drops from the riveted flank of a moored ship down to where the hull meets the water. Rust runs and weld seams pass by, then the swell arrives and slaps the plate, throwing a thin line of white along the boundary. Flat dock light, oxide red and black water, a cold neutral grade. Anamorphic, 35mm, deep focus. A measured descent that stops on the waterline. About 6 seconds. <water slapping steel, a mooring line creaking>. No music.

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Through the doorway

The camera moves forward out of a dim hallway, through an open doorway and into a bright room, the exposure lifting as it crosses. A figure at a table looks up as the camera arrives and turns back to their work. Cold shadow in the hall, warm window light flooding the room, the two temperatures meeting in the door frame. Anamorphic, 24mm, deep focus. One continuous push with no pause at the threshold. About 8 seconds. <footsteps changing acoustic, a chair shifting>. No music.

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Dolly zoom on a lighthouse

The camera pushes toward a lighthouse while the lens zooms out, holding the tower the same size as the cliffs behind it swell and rush forward. The beam sweeps once through the frame and the sea beyond changes scale dramatically. Overcast dusk, whitewashed stone against dark headland, a cold blue grade. Anamorphic, zoom lens, deep focus. Subject fixed, world expanding behind it. About 6 seconds. <wind, distant surf, a low foghorn>. No music.

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Steadicam walk and talk

A steadicam retreats ahead of two colleagues walking a hospital corridor, holding them both in a loose two shot. One hands the other a folder without breaking stride and the second flips it open as they walk. Cool overhead strip lighting with warm spill from side rooms, pale green walls, muted palette. Anamorphic, 32mm, moderate depth. Smooth backward travel matched exactly to their pace. About 10 seconds. She says, level and quick: {It came back an hour ago. You are going to want to sit down for this one.} <footsteps, a distant page>. No music.

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Creep in on a chess clock

The camera creeps in on an analogue chess clock so slowly the move is barely perceptible. The flag on the near dial trembles and rises toward the fall as the second hand sweeps, and a hand enters frame to hover over the plunger without pressing it. One hard lamp from the left, black surround, brass and cream dial faces. Anamorphic, 100mm, shallow depth. Almost imperceptible travel, unbroken. About 8 seconds. <a loud mechanical tick, a held breath>. No music.

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Tracking a bicycle wheel

A low tracking shot runs parallel to a bicycle front wheel and holds it dead centre of frame. The wheel spins through a shallow puddle, throwing a fine spray backward, the tyre flexing slightly at each contact patch and the fork bobbing over broken tarmac. Low evening sun from the side lighting the spray, wet asphalt, amber and slate. Anamorphic, 50mm, motion blur in the background only. Locked relative speed, subject pin sharp. About 6 seconds. <tyre hiss, chain hum, water spray>. No music.

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Full orbit around a sculpture

The camera completes one full orbit around a weathered bronze figure on a plinth, returning to the exact angle it started from. The bronze stays still while the light moves across it, a hard highlight travelling around the shoulder and down the back as the angle changes. Late sun through high windows, dust in the beams, green patina against warm stone. Anamorphic, 50mm, shallow depth. Constant radius and constant speed. A clean 8 second loop. <a quiet gallery room tone>. No music.

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Tilt up a chimney stack

A slow tilt climbs the face of an old brick chimney from its base to the lip, ending on the smoke curling off the top. Soot streaks and mortar detail pass through frame as the camera rises, and the smoke bends hard as it clears the edge into the wind. Flat white sky, dark wet brick, a monochrome palette with one rust stain. Anamorphic, 35mm, deep focus. A single unbroken climb at a steady rate. About 8 seconds. <wind across the stack, a low industrial hum>. No music.

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Rack from rope to climber

The camera holds still while focus pulls from a taut rope filling the foreground back to the climber working above it. The rope trembles under load, then the climber reaches, clips and settles their weight onto the new placement. Hard midday sun on pale limestone, deep shade in the crack, warm rock against cool sky. Anamorphic, 85mm, very shallow depth. Focus moves once, slowly, and stays. About 6 seconds. <carabiner clip, rope through metal, wind>. No music.

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Crash zoom to a bell

The camera holds wide on a bell tower interior, then crash zooms hard onto the bell just as the clapper strikes. The bell rocks through its arc, the clapper swings back and the whole housing shudders on its mounting. Shafts of dusty light through louvres, dark timber and green bronze. Anamorphic, zoom lens, hard snap. Wide and still, then a violent fast zoom that stops dead. About 5 seconds. <a single loud bell strike and its long decay>. No music.

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Low pass under a bridge

The camera skims low and fast just above a river and passes beneath a stone bridge, the underside rushing overhead and out of frame. The water surface blurs beneath, a heron lifts off the bank and the far arch opens into daylight. Cold shadow under the span opening into flat bright cloud, green water and wet stone. Anamorphic, 18mm, deep focus. Sustained speed with no change of altitude. About 6 seconds. <rushing water, a boom of reflected sound under the arch>. No music.

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Questions fréquentes

How do I use these Kling prompts?
Pick any prompt, copy it, and paste it into Morphic with Kling selected. Generate it as written first, then change one element, usually the camera move or the subject action, so you can see what that part contributes.
What makes a strong Kling prompt?
One clear action and one clear camera move. Kling holds a shot together well when the brief is specific and singular, and starts to drift when a five second clip is asked to carry three separate events.
Should I start from an image or from text?
Both work, and image-to-video is the more controllable of the two. Generating a still you like first and animating it fixes the composition, the wardrobe, and the palette before any motion is involved.
How do I keep motion from looking rubbery?
Name the physics. Saying what has weight, what drags, and what settles late gives the model something to solve for, and it is the difference between a convincing move and a floating one.
Can I use the videos commercially?
The prompts here describe original scenes and fictional subjects, so what you generate is yours to use. Avoid prompting for real logos, trademarks, or a living person's likeness, and keep your final use in line with Morphic's terms.