Mark the moment a joke arrives
A rimshot on the frame the line lands tells everyone watching that it was the line. It does the same job in a sketch, an animated short, or a game cutscene.
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Comedy sound effects
The hits that shape a joke: the rimshot, the scratch, the honk, the crickets after nobody laughs. Generate the one your timing needs instead of settling for the nearest clip.
- Ask for the exact hit: a rimshot, a honk, a scratch, a pop
- Original hits nobody else is running, not the same public clip
- Download uncompressed audio and place it on the frame you chose
Comedy hits for edits, sketches, and games
Rimshot
Two snare hits and a small cymbal, gone in two seconds. This is the one most edits reach for, because it tells an audience a joke has finished without anyone having to laugh first.
Record scratch
A hard backwards drag that falls in pitch and stops dead. It works as a full stop rather than a punchline, which is why it sits under a freeze frame so well.
Bulb horn honk
Two flat nasal honks with a wheeze on the release. The reed gives it a rude, unserious edge that a car horn never has, so it reads as clowning rather than traffic.
Cork pop
One hollow burst with a short rush of air behind it. Small enough to punctuate a caption or a title card, where a drum hit would feel like too much ceremony.
Crickets
Ten unbroken seconds of dry chirping. The joke here is the length: it has to run long enough to become uncomfortable, which is exactly what a two-second clip cannot do.
Group laugh
Eight overlapping voices in one warm burst that settles into scattered chuckles. The settling is what sells it, because a laugh that stops all at once sounds switched on.
Generate a comedy hit from a prompt
Choisissez un point de départ, modifiez ce que vous voulez, puis générez dans Morphic.
Ways to use comedy sound effects
Keep a dead stretch alive without adding a track
Ten seconds of crickets carry a silent gap and turn it into content. Podcasters and streamers get more from this than any music cue, because it keeps the timing theirs.
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Set a comedy register from the first second
A bulb horn over the opening shot tells an audience how to read everything after it. Animation and vlogs both use it to buy permission for the jokes that follow.
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Suggest a reaction the audience never sees
A group laugh puts a room full of people behind a shot that only has one person in it. Games and radio comedy lean on this because there is nothing to cut to.
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Cartoon splash sound effects
Cartoon splash sound effects for cannonballs, belly flops and puddle stomps. Pick the size of the water and the weight of whoever just hit it.
Cartoon whoosh sound effects
Cartoon whoosh sound effects for fast exits, swipes and spinning takeoffs. Shape the speed and direction of the air to match the move on screen.
Chomp sound effects
Browse ready-made chomp sound effect clips, then generate your own at the length your scene needs. Morphic makes sound, voice, image and video in one workspace.
Plus d'effets sonores dans Cartoon & comedy
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- Voir tout →
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Questions fréquentes
What are comedy sound effects?
They are the short audio cues that mark the structure of a joke: the setup, the punchline, and whatever follows it. A rimshot closes a line, a record scratch stops one, and a bed of crickets says nobody responded. None of them describe the picture; they tell the audience how to read it.
How do I make a comedy sound effect from a description?
Describe the physical object and the action, then the timing. Two snare hits and a small cymbal in two seconds produces a rimshot, while asking for something funny gives a model nothing physical to build from. The comedy comes from where you place it, not from the wording.
Which comedy sound should I use after a bad joke?
Crickets, and give them room. The effect depends entirely on running long enough to become awkward, so ask for around ten seconds of unbroken chirping rather than a short burst. A rimshot after a bad joke reads as confidence, which is a different gag.
How do I get a rimshot rather than a plain drum hit?
Ask for the sequence: two quick snare hits and then a small crash cymbal. It is the cymbal at the end that makes an audience hear a punchline, because it releases the tension the snare just built. A single hit only sounds like percussion.
Why does a comedy hit sound late even when it is on the frame?
Because a slow attack pushes the perceived moment backwards. Ask for a tight, bright front on the sound and the audience hears it exactly where you placed it. Effects with a soft swell need to start a few frames early to feel on time.
Can I use generated comedy sound effects commercially?
Yes, audio generated on paid plans can be used commercially. See our terms for full licensing details. It also keeps a comedy edit out of the strange position where the punchline cue is the same file every competing channel is using that week.