Horse neighing sound effects

The long call people picture when they say neigh: a squealing start that breaks into a rolling cry and shakes itself out. It is the take most scenes need, because it reads as a horse from the first half second.

A quick rising call that stops cleanly. Use it when the animal is answering something rather than announcing itself, and when a four-second call would run past the shot.

A soft rolling flutter made with the mouth closed. It is the sound of an animal that is calm and knows who just walked in, which makes it the quiet counterweight to every dramatic call.

A thin hard-edged shriek with a rasp cracking through it. This is the aggressive one, the sound of two animals disagreeing, and it changes a scene faster than any amount of hoof noise.

Air driven out through wide nostrils until the soft tissue flaps. No pitch, no voice, just breath, which is why it works under dialogue where a call would take the scene over.

The same rolling call with the high edge gone and a faint echo trailing it. That dulling is what puts the animal outside the shot, rather than simply making the same clip smaller.