Recast a news anchor with AI

Morphic Recast swaps the people in finished footage while keeping the original performance, camera and timing, so the anchor can be recast without a reshoot. Record the bulletin once, add a photo of the anchor for each region, and every word, glance and nod plays the same at the same desk.

Morphic Recast を試す
  • 最長30秒のクリップ
  • 1人につき写真1枚
  • 有料プラン
元の映像
Morphic Recast
  • Morphic Recast cast photo: an East Asian man in his late fifties with silver hair and glasses in a burgundy suit

One bulletin, a new anchor. One photo, a new anchor. The script, the glance down at the papers, the nod and the studio are as recorded; play with sound to hear the same bulletin.

  • Morphic Recast cast photo: an East Asian man in his late fifties with silver hair and glasses in a burgundy suitThe anchor in the navy suitA silver-haired man with glasses in burgundy

変わるものと変わらないもの

変わるもの撮影したまま残るもの
The anchor: face, hair, age and lookEvery word, lip movement, glance and nod
Their wardrobe, taken from the cast photoThe desk, the screens and the framing
Nothing else in the shotStudio light and the recorded soundtrack

活用シーンの例

  • A regional newsroom

    Record a bulletin once, then recast the anchor for each regional channel that runs the same story.

  • News-style explainers

    A company update or product news read at a desk, with a presenter chosen for each audience it reaches.

  • Test a new presenter

    See how a candidate reads in your studio setup before you book a full day of recording with them.

How do I recast the anchor in a news video for different markets?

  1. 01

    Upload the bulletin

    Add one clip up to 30 seconds. For a longer sequence, recast it shot by shot and cut the shots together on the Compose timeline.

  2. 02

    Add a photo per anchor

    One photo for each person you replace, dressed the way they should look on screen. Anyone you give no photo stays exactly as shot.

  3. 03

    Run Morphic Recast

    For one anchor, the Recast character swap workflow takes the clip and the photo. The words, timing, desk and light stay as recorded.

入れ替えるのは1人だけですか？ 共有ワークフローに必要なのは、クリップと写真1枚だけです。

ワークフローを開く

制作メモ

  • Consent and releases

    Recast only footage you hold releases for, and use photos of people who agreed to appear. Every example here uses generated people, not real actors.

  • When to also dub

    The recast keeps the original soundtrack. For new lines or another language, run Morphic Dub on the recast shot so the voices and lips match.

  • Recast or reshoot

    Recasting a bulletin skips a new shoot day and calling the cast back, and one take can carry a cast per market. Reshoot only when the action must change.

  • Review it as a team

    Keep the source shot, the cast photos and every take in one project, where teammates in your workspace open the same versions and comment on each.

Morphic Recast を試す

よくある質問

Can I recast an actor after filming?
Yes. Morphic Recast swaps the people in finished footage and keeps their performance: motion, expressions, lip movement, the camera, the cuts and the soundtrack stay as shot.
How many roles can I recast in one scene?
Every person you give a photo to, one photo per new person. Name each swap by what is visible, such as clothing or position, and anyone without a photo stays as shot.
What consent do I need?
Releases from everyone in the original footage, and permission from anyone whose photo you use for the new cast. For pitches and tests before casting, use people you generate in Morphic.
How do I recast the anchor in a news video for different markets?
Record the bulletin once, then run Morphic Recast with a photo of the anchor for each market. The words, lip movement, timing and studio stay as recorded. Add Morphic Dub when a market needs another language.

キャストを差し替えられるほかのシーン

Recast の例をすべて見る