Applause sound effects

A small room clapping, a full hall, a standing ovation, and the scattered applause nobody wants. Name the size of the crowd and Morphic builds it.

  • Set the number of people and the size of the room
  • A crowd built for your venue, not a shared stock clip
  • Clean audio that starts and stops where you need
Hands mid-clap in a darkened auditorium, one row lit from the stage, the rest falling into black

Applause for film, games, and video

Small room

0:06

About twenty people, individual claps still audible. Hearing single hands is what makes a room read as small rather than as a quiet crowd.

Full hall

0:05

Several hundred people blended into a dense wash with a long tail. The reverb is doing as much work as the number of hands.

Standing ovation

0:07

Whistles and cheering over dense clapping, swelling as it goes. The swell is what separates an ovation from loud applause.

Scattered applause

0:04

A handful of people in a big room, with awkward gaps. Comedy and cruelty in one clip, and it needs the room to be audibly large.

Applause fading out

0:07

A full crowd thinning to nothing over the clip. It resolves, which lets a scene move on without a hard cut.

Single person clapping

0:05

Slow, deliberate, individual claps. Alone in a room it reads as sarcasm, which no crowd version ever does.

Generate applause from a prompt

出発点を選び、好きなように編集して、Morphicで生成しましょう。

生成

Ways to use applause sound effects

Land the end of a performance

Applause starting hard on the cut marks an ending cleanly, and the room size tells the audience how it went.

プロンプトを編集
Land the end of a performance

Let applause die away under a scene

A crowd thinning to nothing carries the transition on its own, so a scene can move on without a hard edit.

プロンプトを編集
Let applause die away under a scene

Say how big the room is

Audible individual claps mean a small room and a blended wash with a long tail means a hall. The crowd size is the location.

プロンプトを編集
Say how big the room is

Make a moment go badly

Scattered claps in an audibly large room is the sound of something failing, and it lands harder than silence would.

プロンプトを編集
Make a moment go badly

シンプルな料金体系

今すぐ無料で始めて、いつでもアップグレードまたはキャンセルできます。

Basic

$9/
請求額は $0

900 月 クレジット

1 ユーザーのみ

すべてのモデル

ワークフロー

Standard

$24/
請求額は $0

3200 月 クレジット

1 ユーザーのみ

すべてのモデル

ワークフロー

Pro

$45/
請求額は $0

6200 共有 月 クレジット

1 ユーザー

+ 最大 4 名まで追加費用

すべてのモデル

ワークフロー

Pro Max

$170/
請求額は $0

24000 共有 月 クレジット

1 ユーザー

+ 最大 9 名まで追加費用

すべてのモデル

ワークフロー

Enterprise

より高い制限のために

カスタム

料金と請求条件

大容量クレジット
カスタムシート制限
すべてのモデル
ワークフロー
Pricing Gradient

Free

気軽に試したい方に

$0

ずっと無料

最大20クレジット
1ユーザーのみ
一部のモデル
ワークフロー

よくある質問

How do I make applause match the size of the room?
Name the number of people and the space. In a small room individual claps stay audible, while a few hundred people blend into a dense wash with a long reverberant tail. Those two details do more than volume ever will.
Why does stock applause sound wrong?
Usually because the crowd size does not match the picture. A hall-sized wash under a shot of twelve people, or audible individual claps under a stadium, reads as false immediately even to people who could not say why.
How do I get a standing ovation rather than applause?
Ask for whistles and cheering over the clapping, and for the whole thing to swell in intensity. The swell is the tell: applause is steady, whereas an ovation builds as more of the room joins it.
What makes scattered applause funny?
The size of the room. A handful of claps only reads as failure when an audience can hear how much empty space is around them, so the prompt has to specify a large room as well as few people.
How do I end applause without a hard cut?
Generate it thinning and dying away across the clip. A crowd that resolves on its own lets a scene move on naturally, whereas applause cut off mid-clap always sounds like an edit.
Can I use these applause sounds commercially?
Yes, audio generated on paid plans can be used commercially. See our terms for full licensing details. Because each crowd is generated rather than pulled from a shared catalogue, you also avoid the clip already under a hundred other performances.