End the argument with a smashed plate
A plate breaking on the cut gives a fight its full stop with no line needed, in a drama, a story game or an animated family scene.
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Broken
Broken glass skittering across a floor, a door splintering off its frame, a plate in pieces and a broken motor coughing out. Describe what breaks and Morphic generates it clean, down to the last falling piece.
- Shattered glass, a splintered door or a sputtering motor, generated as you describe
- Made for the kitchen where the argument ends with a plate on the floor
- Clean breaking sounds with every falling shard, ready for the edit
Broken sounds for games, animation, and video edits
Broken glass
A pane crashing and shards skittering to a stop, the broken sound most people search for, from break-ins to accidents.
Door splintering
Timber cracking as a door frame tears open, for a raid, a rescue, a monster breaking through or a forced entry in a game.
Plate smashed
A ceramic plate breaking on tile with shards spinning off, for a kitchen fight, a clumsy waiter or a family dinner gone wrong.
Chair collapse
Wooden legs snapping and a seat hitting the floor, for slapstick, a bar fight or an old chair that finally gives up.
Broken motor sputter
A grinding stutter that coughs and dies, for a car that will not start, a failing generator or a robot shutting down.
Broken wind-up toy
A spring mechanism grinding, slowing and twanging loose, for a toy that has stopped working, a sad gag or a creepy nursery.
Generate a broken sound from a prompt
出発点を選び、好きなように編集して、Morphicで生成しましょう。
Ways to use a broken sound effect
Hold a failed start without music
A broken motor sputtering again and again carries a stranded moment with no score, in a road movie, a survival game or a comedy podcast.
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Open on a house that was broken into
Broken glass under the first shot tells viewers a break-in just happened before any damage is shown, in a crime series, a mystery game or an audio drama.
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Hint that the door downstairs gave way
A door splintering from another floor warns that someone is already inside, in a horror film, a stealth game or a radio thriller.
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こちらもおすすめ
爆発音の効果音
爆発音の効果音をAIで生成。鋭い破裂音、腹に響く衝撃、長い余韻、崩れ落ちる瓦礫まで。大きさと距離を指定して、映像にぴったり合う重みのある爆発を作れます。
Fall down sound effects
Generate fall down sound effects with AI on Morphic. Describe the sound, pick a variation, and download MP3 or WAV for your video, game or podcast.
落下音の効果音
落下音の効果音をAIで生成。落ちる物の重さ、落下の長さ、着地する素材を指定できます。動画やゲームのカットにぴたりと合う音が作れます。
格闘の効果音
格闘の効果音をAI生成。殴り合いの連打、蹴り、受け、床に倒れる音まで、文章で指定するだけ。素材を3つ重ねる手間なく、カットに必要な重さと質感を作れます。
Impacts & actionの効果音をもっと見る
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よくある質問
What is a broken sound effect?
Broken sounds are the moment something breaks, glass shattering, a door splintering, a plate smashing, plus the sound of something already broken, like a motor that sputters and dies. They mark an accident, a fight or a failure in a single hit.
Where can I get broken sounds for a video?
Tell Morphic what breaks and how, then generate it, which is quicker than trying to match a library clip to your exact object. Every sound on this page was made from the prompt printed beside it, so you can start from one and adjust it.
How do I make a custom broken sound effect?
Break it down into object, material and force, then add what happens to the pieces. A prompt like "a ceramic dinner plate dropped on a tile floor, a sharp smash with shards spinning and clattering" gives Morphic enough to work with, and you can swap the floor or the object.
What is the difference between broken, shattering and splintering sounds?
Shattering is brittle material like glass or ceramic bursting into many pieces. Splintering is wood tearing along its grain. Broken sounds cover both plus machines and toys that have failed, so use them when the point is that something no longer works.
Can I use these broken sounds commercially?
Yes, audio generated on paid plans can be used commercially. See our terms for full licensing details. Because each sound is generated for you, you also avoid the clip turning up in someone else's video.
Why does my broken sound not sit right in the edit?
The hit usually lands a frame or two early or late against the moment of contact. Line the sharpest peak up with the frame where the object touches, and let the falling pieces run over the next shot to carry the cut.