Podcast sound effects

A soft transition between segments, a chapter marker, an ad bumper, a light sting, a subtle bed, and the page turn that says next topic. All sized to sit around a voice.

  • Ask for warm and low rather than bright, so nothing you add competes with the voice
  • A set that belongs to your show instead of the default pack every other feed is using
  • Download clean audio and drop it straight into your editor
Podcast sound effects

Episode sounds for podcasts and audio shows

Soft transition

A gentle low rush with no bright top on it. Bright whooshes fight consonants, which is why the video version of this sound does not work in an episode.

Chapter marker

Two dry wooden knocks with no ring. Small enough to drop between sentences, which is where a chapter break usually has to go.

Ad bumper

A warm three-note phrase that rises and settles. Long enough to signal a break, short enough that nobody reaches for the skip button.

Light sting

A single plucked note with no low weight. Marks a joke without the heaviness of a laugh track or a drum hit.

Subtle bed

A low even tone with no rhythm and no melody. Runs under a monologue to stop the silence sounding like a dropped file.

Page turn

A single sheet of paper turning, dry and close. The oldest way to say next topic, and still the least intrusive.

Generate a podcast sound from a prompt

出発点を選び、好きなように編集して、Morphicで生成しましょう。

生成

Ways to use podcast sound effects

Punctuate a change of topic

Two dry knocks between sentences tell a listener the subject changed, which a hard cut alone leaves ambiguous in audio-only.

プロンプトを編集
Punctuate a change of topic

Fill a pause without reaching for music

A low even bed under a monologue keeps the silence alive, so a thinking pause does not sound like the recording stopped.

プロンプトを編集
Fill a pause without reaching for music

Tell the listener an ad is starting

A consistent bumper on every break trains the audience in two episodes, and a trained listener stays through the break instead of skipping blind.

プロンプトを編集
Tell the listener an ad is starting

Imply a room the listener cannot see

A page turn or a cup set down puts a physical space around a voice, which is most of what makes a studio recording feel like two people somewhere real.

プロンプトを編集
Imply a room the listener cannot see

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Basic

$9/
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1100 月 クレジット

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Standard

$24/
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3625 月 クレジット

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Pro

$45/
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6350 共有 月 クレジット

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+ 最大 4 名まで追加費用

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Max

$170/
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24650 共有 月 クレジット

1 ユーザー

+ 最大 9 名まで追加費用

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Enterprise

より高い制限のために

カスタム

料金と請求条件

大容量クレジット
カスタムシート制限
すべてのモデル
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Pricing Gradient

Free

気軽に試したい方に

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ずっと無料

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一部のモデル
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よくある質問

Why do video sound effects sound wrong in a podcast?
They are too bright. Video effects are built to cut through picture and music, and the same brightness lands on top of consonants in a speech-only mix. Asking for warm and low with no bright top solves most of it.
How many sound effects should an episode have?
Fewer than you think. A transition, a chapter marker, and a bumper used consistently do more than a large library used occasionally, because the value is in the listener learning what each one means.
Where should a sound effect go relative to speech?
In the gaps, not underneath. Drop transitions and markers between sentences where nobody is speaking, and reserve anything that runs under a voice for a bed with no rhythm and no melody.
How do I stop a bed from sounding like background hum?
Keep it low, even, and completely static. A bed that moves draws attention and starts to sound like a mistake, where a flat sustained tone reads as room and disappears.
Do these work for an audio drama as well as an interview show?
The transitions and markers do. An audio drama also wants the library proper, footsteps, doors, weather, which live on their own pages in this library and are built to be heard rather than to disappear.
Can I use these in a monetised or sponsored podcast?
Yes. Audio generated on a paid Morphic plan is cleared for commercial use, including sponsored and ad-supported shows, with no attribution required.