Watering a monstera
Flat vector illustration built from solid fills only, with no gradients, no shading and no texture. A woman waters a large monstera in the corner of a flat, drawn as simplified geometric shapes with a palette of four flat colours on a cream ground, generous negative space, and shapes that read clearly at small size. Faces indicated with the minimum of marks. Not a 3D render, no drop shadows, no brush texture, no photographic lighting, 4:5.
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Four steps across a page
Flat vector infographic, wide. A four-step process laid out left to right, each step a simple flat circular badge containing a minimal icon, all four the same diameter and evenly spaced, joined by three identical straight connectors of the same weight and colour. A short label sits beneath each badge in a plain sans. Nothing varies between the steps except the icon inside the badge. Palette of four flat colours plus charcoal type on a cream ground. No gradients, no drop shadows, no three-dimensional effects, no perspective. Even margins, 16:9.
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Empty box, nothing in it
Flat vector illustration for a product empty state. An open cardboard box drawn as three simple flat shapes with nothing inside it, set slightly off centre on a large plain ground with a great deal of space around it, and two tiny floating shapes nearby to keep the drawing light. Built from solid fills with one darker tone per colour used as a hard flat shape for the inside of the box. Palette of soft sand, muted coral and cream, deliberately warm rather than grey. No gradients, no drop shadows, no outlines, no texture. Rounded corners on every form, 4:3.
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Cutaway of a small office
Flat vector cutaway illustration, wide. A three-storey office building with its front wall removed so every room is seen square on with no perspective at all, drawn as a grid of rectangular spaces each containing simple flat furniture and one or two simplified figures doing something different. Walls and floors are single flat colours; furniture uses one darker tone as a hard shape. Palette of six flat colours on a cream ground. No gradients, no shadows, no outlines, no vanishing point anywhere. Even detail across every room, 16:9.
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Thick outline around a kettle
Flat vector illustration drawn with a single thick outline of uniform weight around every shape, the same stroke thickness on the largest form and the smallest detail alike. A stovetop kettle on a hob with a small cup beside it, filled with flat solid colour inside the outlines and nothing else. The outline colour is a deep near-black used consistently throughout. Palette of three flat fills plus the outline on a cream ground. No gradients, no shading, no drop shadows, no line weight variation anywhere. Rounded line ends and joins, 4:5.
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Fruit bowl in circles
Flat vector still life built only from circles, rectangles and half circles, with no other shape type used anywhere in the image. A bowl of fruit on a table: the bowl is a half circle, the table a rectangle, and every piece of fruit a plain circle in a different flat colour, with stems as small rectangles. No shape is distorted or organic. Solid fills only, one flat darker tone on the bowl's inner face. Palette of six flat colours on a warm grey ground. No gradients, no shadows, no outlines, no texture, 3:4.
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Mid-century kitchen scene
Flat vector illustration in a mid-century style, where the shapes are deliberately slightly imperfect, as though cut from paper by hand, with edges that are not quite straight and forms that do not align exactly. A kitchen scene with a coffee pot, two cups and a wall clock. Solid fills only, no gradients, no shadows, no texture within the shapes. Palette of mustard, teal, burnt orange, cream and charcoal, all slightly muted. Small areas where two shapes overlap show a darker flat colour. No outlines, no perspective, 4:5.
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Skyline in overlapping blocks
Flat vector illustration of a city skyline, wide, where all sense of depth comes from shapes overlapping one another rather than from any shading. Four distinct layers of buildings, each a single flat colour, sit in front of each other from a pale distant band to a saturated near band, with a simple flat river across the foreground. No gradients, no shadows, no outlines. Windows are small flat rectangles in one lighter tone. Palette of five flat colours plus a cream sky. Crisp hard edges throughout, generous empty sky, 16:9.
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Handing over a paper folder
Flat vector editorial illustration. Two figures at a plain desk, one passing a paper folder across to the other, who is reaching for it with both hands, so the whole idea sits in that one gesture. Bodies simplified into flat geometric shapes, faces given only eyes and a suggestion of a brow. Built from solid fills with one darker tone per colour used as a hard-edged shape for the shadow side of each form, and nothing else. Palette of muted teal, warm clay, cream and charcoal. No gradients, no soft shadows, no outlines. Generous flat background, 4:3.
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Leaf pattern that tiles
Flat vector repeating pattern tile, square. A scattered arrangement of simple leaf and stem shapes in four flat colours on a deep olive ground, spaced evenly with no motif touching or crossing the edge of the tile so the pattern can repeat cleanly. Each leaf is one solid fill with no vein detail, no gradient and no shadow. Two sizes of motif only, rotated at varied angles to avoid an obvious grid. Hard edges throughout, no outlines. Balanced density with no large empty areas and no crowding, 1:1.
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Baker with folded arms
Flat vector character illustration with no outlines at all, where every form is defined only by the edge between two colours. A baker stands with arms folded, identifiable entirely from her silhouette: a wide apron shape, rolled sleeves ending in a clear step, and a cloth tied at the head. Face given only two dot eyes and a small flat brow line. Built from solid fills with one darker tone per colour used as a hard flat shape. Palette of clay red, cream, warm grey and charcoal. No gradients, no shadows, no texture. Plain flat background, 1:1.
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Figures climbing a bar chart
Flat vector illustration combining a diagram with a small scene. Five evenly spaced bars of increasing height stand on a single shared baseline, correct enough to read as a real chart, and two simplified figures climb between them, one seated on the third bar and one reaching up to the fourth. Bars in one flat colour with a second darker flat tone on their right faces. Figures in two further flat colours. Palette of four flat colours on cream. No gradients, no shadows, no outlines, no perspective on the bars, 4:3.
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Timeline with five markers
Flat vector timeline illustration, wide. One dead straight horizontal line runs the full width of the frame at mid height, with five identical circular markers sitting exactly on it at even intervals. Above three of the markers and below two of them sit small flat vignettes, each two or three simple shapes tall, alternating up and down. Short labels beneath the line in plain charcoal sans. Palette of one line colour, three flat vignette colours and cream. No gradients, no shadows, no outlines. All vignettes drawn at the same scale, 16:9.
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Neighbourhood map in flat colour
Flat vector map illustration, square, seen from directly above with no perspective. A neighbourhood drawn with exactly two road widths, a wider one for the main routes and a narrower one for everything else, in a single flat colour on a pale ground. Building blocks are plain flat shapes in one warm tone, parkland in one green, water in one blue. Four small flat markers indicate landmarks. No gradients, no shadows, no outlines around the blocks, no text labels. Hard clean edges, even visual weight across the whole map, 1:1.
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Nine icons on one grid
A flat vector icon set, square, laid out as nine icons in a three by three grid with even spacing. All nine are drawn as outlines of exactly the same stroke weight with the same rounded corner radius and the same optical size within their bounding box: a house, an envelope, a clock, a lock, a bookmark, a compass, a battery, a printer and a folder. Single colour, deep charcoal on a warm off white ground, with no fills and no second colour anywhere. No gradients, no shadows, no perspective. Consistent geometric construction across all nine, 1:1.
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Two inks and one overlap
Flat vector illustration printed in exactly two inks, a warm red and a deep blue, where wherever the two shapes overlap a third darker colour appears as though the inks had multiplied. No other colours exist in the image. A cyclist rides past a row of trees, with the bicycle in red, the trees in blue, and the wheels crossing a trunk to produce the overlap colour. Flat solid fills, hard edges, no gradients, no shadows, no outlines. Cream paper ground showing through as the only light tone. Simplified geometric shapes, generous space, 3:4.
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Mountains as stacked bands
Flat vector landscape illustration, tall. A mountain scene built as six stacked horizontal bands of flat colour, each one a simple silhouette with a jagged upper edge, arranged so the nearest band at the bottom is the darkest and each band above it is progressively lighter, ending in a pale flat sky. A small flat sun disc sits high in the sky as a single circle. No gradients anywhere, no texture, no outlines, no shading within any band. Palette of six tones from deep pine to pale mint. Hard clean edges between every band, 9:16.
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Hand holding a phone
Flat vector illustration of a hand holding a phone, square. The hand is drawn as simplified geometric shapes with the thumb as a single rounded form, and the phone screen contains exactly three elements and nothing more: a wide bar at the top, one circle in the middle and a short bar beneath it. Built from solid fills with one darker flat tone per colour for the underside of the hand and the phone's edge. Palette of warm sand skin tone, charcoal device, one accent coral and a cream ground. No gradients, no shadows, no outlines, no reflections on the screen, 1:1.
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Crowd of forty small figures
Flat vector illustration of a crowd, where roughly forty simplified figures fill the frame, all constructed from the same small set of parts, a rounded head, a simple torso shape and two straight legs, and varying only in colour, height and the angle of the arms. No faces beyond two dots. Figures overlap freely to build depth, with no shadows anywhere. Palette of eight flat colours distributed evenly across the crowd on a cream ground. No gradients, no outlines, no texture, no perspective. Even spacing with no gaps, 4:3.
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Hero scene with space at left
Flat vector hero illustration for a web page, wide. The right half holds a simple scene of a person at a desk with a plant and a window, built from solid flat shapes, and the entire left half is left as plain flat background colour with nothing in it at all, reserved for a headline. Solid fills with one darker flat tone per colour. Palette of muted indigo, warm sand, sage and cream. No gradients, no drop shadows, no outlines, no texture. Shapes simplified and geometric, generous margins, nothing crossing into the reserved area, 16:9.
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