Arabic

An oud plucked in a few warm notes, a darbuka rolling under a riq, a ney flute and hot wind sweeping the sand. Describe the Arabic sound your scene needs and Morphic generates it clean.

  • An oud, a darbuka rhythm or desert wind over the dunes, each made to your words
  • Sized to the caravan crossing in your adventure game, a take nobody else owns
  • Each oud, drum or gust stands alone, ready to lay under the picture
A polished wooden oud with a hand plucking its strings, warm light along its curved body against a black ground

Arabic sounds for games, animation, and video edits

Oud pluck

A few deep ringing notes on a fretless lute with a slide between them, warm colour for a city gate, an oasis or a feast.

Darbuka rhythm

A goblet drum with round low dum strokes and crisp tek taps, the pulse for a celebration, a dance or a busy street.

Ney flute note

One long airy note on a reed flute with a slow wavering bend, for stillness, a desert dawn or a reflective pause.

Riq tambourine

A frame tambourine shaken and struck, bright brass jingles and crisp skin taps to lift a dance or a market scene.

Desert wind

Hot wind sweeping across open sand with a steady hiss of grains, the bed for a long crossing or an empty horizon.

Souk crowd

A wordless crowd of shoppers with brass clinks and cart wheels, the busy bed of a covered market or a narrow lane.

Generate an Arabic sound from a prompt

Pick a starting point, edit anything you like, then generate it in Morphic.

Generate

Ways to use an Arabic sound effect

Mark the arrival at the oasis with an oud

A few warm oud notes on the cut to an oasis or a city gate give the moment its colour, in a travel film, an animation, a game or a podcast.

Edit prompt
Mark the arrival at the oasis with an oud

Fill a long desert crossing with wind alone

Hot wind sweeping the sand carries a long crossing shot with no music, in documentary, adventure games, animation and audio drama.

Edit prompt
Fill a long desert crossing with wind alone

Drop the audience into a crowded souk

A wordless crowd with brass clinks and cart wheels sets a busy covered market in seconds, in film, game levels, travel video and radio stories.

Edit prompt
Drop the audience into a crowded souk

Suggest a feast behind the courtyard walls

A darbuka rhythm drifting from off screen tells the viewer a wedding or a feast is happening nearby, in a drama, an animated film or a podcast.

Edit prompt
Suggest a feast behind the courtyard walls

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FAQs

What is an Arabic sound effect?
Arabic sound effects are the sounds of the region's instruments and places: the oud, the darbuka, the ney flute and the riq, plus desert wind and the wordless bustle of a souk. The page is a place and instrument bed, with no voices, accents or call to prayer.
Where can I get Arabic sounds for a video?
Prompt the instrument or place and generate it, which saves trawling sample packs for a near fit. Every sound on this page was made from the prompt beside it, so you can start from one and adjust it.
How do I make a custom Arabic sound effect?
Begin with the instrument or place, then add how it is played and how close it sits. A prompt like "an oud plucked with a pick, a few deep ringing notes with a fretless slide" gives Morphic enough to work with, and you can ask for a faster or slower pattern.
What is the difference between an oud, a darbuka and a ney?
The oud is a fretless lute with warm, deep plucked notes, the darbuka is a goblet drum with a round low dum and a sharp tek, and the ney is an end-blown reed flute with an airy, hollow tone. Use the oud for colour, the darbuka for pace and the ney for stillness.
Can I use these Arabic sounds commercially?
Yes, audio generated on paid plans can be used commercially. See our terms for full licensing details. Because each sound is generated for you, you also avoid the clip turning up in someone else's video.
Why does my Arabic sound not sit right in the edit?
Instruments recorded close can feel like a soundtrack when the scene needs a place. Push the oud or darbuka down and back so it seems to come from inside a building, and let the wind or the crowd carry the front of the scene.