Punctuate an entrance on the exact frame
A latch releasing gives a door a moment to land on. Without it, an entrance is a picture edit with nothing underneath to make it real.
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Foley sound effects
The layer that makes a scene feel physical: footsteps, cloth, doors, keys, and props. Describe the surface and the movement, not the stage.
- Describe the surface, the material, and the speed of the movement
- A pass matched to your picture rather than a general-purpose library
- Clean, dry takes you can place in your own room with your own reverb
Foley layers for film, games, and animation
Footsteps on wood
Hard leather on bare boards, slow and deliberate, with a creak after each step. The creak is what makes the floor a real floor rather than a click track.
Footsteps on gravel
Loose stone shifting under each step, so no two land the same. Gravel is the surface that most clearly tells an audience the scene is outdoors.
Cloth movement
A heavy coat shifting as somebody turns. This is the layer an audience never notices and always misses, because bodies are never silent.
Door latch
The handle, the latch, then the hinge. Three events in one take, which is exactly how a door reads when it is done properly.
Keys and pockets
Metal pulled out of fabric, jangling unevenly. The unevenness matters: keys that rattle in a pattern sound like an instrument rather than a pocket.
Sitting down
Weight settling into a chair: fabric compressing, a frame creaking, clothing resettling afterwards. The most useful body movement there is.
Generate a foley layer from a prompt
出発点を選び、好きなように編集して、Morphicで生成しましょう。
Ways to use foley sound effects
Fill a quiet scene without reaching for music
Footsteps and cloth carry a wordless stretch on their own, in a game corridor or an animated interior as readily as a live-action one.
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Tell the audience where somebody is walking
Surface is location. Gravel says outside, bare boards say an empty room, and the change between them can carry a whole cut on its own.
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Put a person in a shot they are not in
Keys and clothing from beyond the frame create somebody moving around the room. Nothing has to be cast, blocked, or lit to do it.
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Horse foley sound effects
Horse sound effects for period and fantasy scenes, hooves on dirt and cobblestone, gallops, tack jingle and snorts, mixed clean for your timeline.
Kitchen foley sound effects
Kitchen foley sound effects recorded close, chopping, pouring, sizzling, stacking plates, whisking and a kettle coming to boil for cooking edits and scenes.
Leather foley sound effects
Leather sound effects up close: jacket creak, glove flex, a belt drawn through its keepers, saddle strain, boot movement and a bag handle taking the weight.
Prop handling foley sound effects
Prop handling sound effects for mugs, keys, paper and coins, small object sounds that make a shot feel physical, ready to place under your footage.
Foleyの効果音をもっと見る
- Coins and keys foley sound effects
- Footstep foley sound effects
- Grass foley sound effects
- Snow foley sound effects
- Water foley sound effects
- Armour foley sound effects
- Bag and backpack foley sound effects
- Body foley sound effects
- Cloth movement foley sound effects
- Football sound effects
- Footsteps on gravel sound effects
- Footsteps on snow sound effects
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よくある質問
What is foley?
The layer of everyday physical sound performed to match picture: footsteps, clothing, props, doors, and body movement. It is not sound design or effects work, and its whole purpose is to make a scene feel like a real place with real bodies in it.
How do I make foley sound effects?
Describe the two materials and the movement between them. Say what is touching what, how heavy the contact is, and how fast it repeats. A generator has no idea what "walking" sounds like until you tell it the shoe and the floor.
Why does my scene feel empty even with dialogue in it?
Almost always because the body layer is missing. People rustle, shift, and creak constantly, and a scene with only voices in it reads as a recording rather than a room. Cloth movement is usually the fastest fix.
What surfaces should I ask for?
The one actually under the actor. Wood, gravel, tile, carpet and grass all sound completely different, and picking the wrong one is the most common reason footsteps feel pasted on however well they are timed.
Should foley be recorded dry?
Yes, and generated dry too. You want to place the sound in your own space with your own reverb, and a take that already carries somebody else's room can never be moved into yours convincingly.
Can I use generated foley commercially?
Yes, audio generated on paid plans can be used commercially. See our terms for full licensing details. Generating the pass also means the footsteps under your scene are not the same ones in every other production using that library.