The crack that arrives before anything else, the shockwave seconds later, the roll that goes on far too long, and the wind rushing back in. Four events rather than one bang.

Generate the four stages separately, because the gaps between them are what carry the scale
Audio built for your sequence rather than a stock explosion stretched to fit
Download clean audio and drop it straight into your edit

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Blast audio for film, games, and animation

Flash crack

Enormously sharp with almost no body at all. Thin and vast, and it arrives before anything the audience can feel.

프롬프트 편집

Shockwave

A deep compressed thud with a hard front edge. The pressure event, and the one an audience feels in a cinema.

프롬프트 편집

Long roll

A vast rumble building and decaying over fifteen seconds. Length is the scale here, so resist cutting it short.

프롬프트 편집

Wind returning

A rush building from nothing and drawing inward. Air filling the space back in, which is the detail most edits miss.

프롬프트 편집

Distant detonation

The same event from very far away, with only the low roll left and no crack at all. Reads as somewhere else entirely.

프롬프트 편집

Dead air after

A thin empty tone with everything else stripped out. The silence the sequence ends on, generated rather than cut to nothing.

프롬프트 편집

Generate a blast from a prompt

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Ways to use a nuclear blast sound effect

Punctuate the moment it happens

The crack lands on the flash, and the shockwave arrives seconds later. That gap is the single most convincing thing in the sequence.

프롬프트 편집

Fill the aftermath without music

A thin empty tone holds ten seconds of a wide shot where nothing moves, and no score could carry that silence better.

프롬프트 편집

Tell the audience how far away it was

A crack then a shockwave means close. Only a low roll with no crack at all means the horizon. The missing top is the distance.

프롬프트 편집

Imply a scale you cannot film

Fifteen seconds of rolling rumble over a static shot builds something far larger than any effects budget would.

프롬프트 편집

이런 것도 좋아하실 거예요

Impacts & action 효과음 더 보기

간단한 가격

오늘 무료로 시작하고 언제든지 업그레이드하거나 취소할 수 있습니다.

Basic

/ 월

청구 금액 $0 년

1100 월간 크레딧

1 명 전용

모든 모델

워크플로

Standard

/ 월

청구 금액 $0 년

3625 월간 크레딧

1 명 전용

모든 모델

워크플로

Pro

/ 월

청구 금액 $0 년

6350 공유 월간 크레딧

1 사용자

+ 최대 4 명 추가 비용으로 추가 가능

모든 모델

워크플로

Pro Max

/ 월

청구 금액 $0 년

24650 공유 월간 크레딧

1 사용자

+ 최대 9 명 추가 비용으로 추가 가능

모든 모델

워크플로

Enterprise

더 높은 제한

사용자 정의

가격 및 청구 조건

대용량 크레딧

맞춤형 시트 제한

모든 모델

워크플로

Free

가볍게 사용해보기

영구 무료

최대 20 크레딧

1명 전용

일부 모델

워크플로

플랜 세부 정보 비교

자주 묻는 질문

How is this different from a normal explosion?

Scale and structure. A conventional explosion is one event with debris after it. This is four events spread over fifteen or twenty seconds, and the gaps between them are what make the audience read it as enormous.

How long should the gap between the crack and the shockwave be?

Long enough to feel wrong. Two or three seconds reads as close, five or more reads as miles away. The delay is the only cue an audience has for distance at that scale.

Why does my blast sound small?

It has an attack. Enormous events do not start sharply at a distance, so a long roll that builds with no attack at the front reads as vast, where a hard front edge reads as something nearby and ordinary.

What do most edits get wrong?

They stop at the bang. The wind drawing back inward afterwards, and the dead air that follows it, do more for the aftermath than the detonation itself, and both are usually missing.

Should I use the distant version instead?

Often, yes. A vast dull roll with no crack at all keeps a scene about the people watching, where the close version makes the scene about the event.

Can I use these in a game or a film?

Yes. Audio generated on a paid Morphic plan is cleared for commercial use, including games, film, and broadcast.