Hit the moment the roof gives way
A gust spiking as the glass goes puts the audience inside the moment, and lands the same way in a documentary cutdown or an animated storm sequence.
Edit prompt
Hurricane
The howl of a storm bearing down, ready to play: driving wind, rattling debris, and the low roar behind it all. Describe the hurricane your scene needs and Morphic generates it in seconds.
- Wind written to the strength you need, from an uneasy pre-storm push to the full noise of landfall
- A storm built for your footage, not the weather bed running under half the news packages online
- Full-bandwidth audio that keeps its rumble on a phone speaker and in a cinema alike
Hurricane sounds for film, games, and animation
Roaring wind
A dense continuous wall of air with real weight underneath it. The foundation layer for anything at full storm strength.
Whistling gusts
High thin tones squeezed through gaps and wires, rising and falling. Adds edge and movement over the steady roar.
Debris in the gale
Loose objects tumbling, clattering and striking surfaces at speed, for the point where the storm starts taking things apart.
Low storm roar
Mostly bass, felt more than heard, for wide shots and approach sequences where the weather still sits on the horizon.
Rain-lashed wind
Water driven sideways against walls and windows in bursts: the version to use when your camera is stuck indoors.
Structure under strain
Timber groaning, metal flexing and fixings working loose, the sound of a building deciding whether it will hold.
Generate a hurricane sound from a prompt
Pick a starting point, edit anything you like, then generate it in Morphic.
Ways to use hurricane sound effects
When the reporter stops talking
Gaps in narration during a weather report are where the storm should take over, and a rising roar fills those seconds in broadcast or podcast form.
Edit prompt
A coastline about to be hit
Steady low wind under a wide shot of grey water warns a viewer what is coming while the town on screen is still perfectly calm.
Edit prompt
The street outside the boarded window
Debris skidding past and timber straining make the danger real for characters sheltering indoors, with nothing outside ever needing to be shown.
Edit prompt
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Thunderstorm sound effects
Rolling thunder, close cracks, and rain layered underneath. Morphic builds the storm your scene needs at the distance you set.
Tornado sound effects
Tornado sound effects: the freight-train roar, rising approach, flying debris and the howl of the vortex, recorded for storm scenes in film and games.
Underwater sound effects
Underwater sound effects to play now, plus the take you describe yourself: muffled hush, rising bubbles, plunges, strokes and deep sonar pings.
Volcano sound effects
Play volcano sounds or describe the eruption you need: subterranean rumbles, explosive blasts, bubbling lava, and fierce hissing steam vents.
More sound effects in Nature & weather
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FAQs
What is a hurricane sound effect?
It is the sustained sound of a severe storm: a driving, roaring wind, whistling gusts forcing through gaps, a low rolling roar beneath, and the rattle of debris carried in the air. On screen it is usually built in layers, because one clean roaring bed plus a gust and a debris layer reads as a real storm far better than a single recording does.
Where can I get hurricane sounds for a video?
Generate them rather than search for them. Describing the storm you want takes less time than digging through a stock library, and you get the exact layers your scene needs instead of the closest available clip. Every sound on this page was made from the prompt printed beside it, so you can start from one and adjust it.
How do I make a custom hurricane sound effect?
Describe what the wind is doing, what it is carrying, and how heavy it should feel, then generate it. A prompt like "a continuous roaring wind with a low rumble beneath and sharp debris bursts" gives Morphic enough to work with, and you can adjust the wording until the storm fits your cut.
How do I build a full hurricane rather than one wind track?
Generate the layers separately and stack them. A roaring wind bed sits underneath, a low storm roar adds mass, and whistling gusts and debris bursts ride on top for edge and threat. Building it this way lets you raise the danger for a landfall shot and pull it back for a lull, which one fixed recording cannot do.
Can I use these hurricane sounds commercially?
Yes, audio generated on paid plans can be used commercially. See our terms for full licensing details. Because each sound is generated rather than pulled from a shared library, you also avoid the clip turning up in someone else's video.
Why does my hurricane sound not sit right in the edit?
Usually it is too thin rather than too quiet. A single wind track reads as a breezy day, not a hurricane, because a real storm is several layers at once. Generate a roaring bed, a low roar, and a gust or debris layer, stack them, and the storm gains the weight and threat a lone recording never carries.