Recast a news anchor with AI
Morphic Recast swaps the people in finished footage while keeping the original performance, camera and timing, so the anchor can be recast without a reshoot. Record the bulletin once, add a photo of the anchor for each region, and every word, glance and nod plays the same at the same desk.
- 最长 30 秒片段
- 每人一张照片
- 付费套餐
One bulletin, a new anchor. One photo, a new anchor. The script, the glance down at the papers, the nod and the studio are as recorded; play with sound to hear the same bulletin.
The anchor in the navy suitA silver-haired man with glasses in burgundy
哪些会变，哪些保持不变
| 会变的部分 | 保持原样的部分 |
|---|---|
| The anchor: face, hair, age and look | Every word, lip movement, glance and nod |
| Their wardrobe, taken from the cast photo | The desk, the screens and the framing |
| Nothing else in the shot | Studio light and the recorded soundtrack |
应用场景示例
A regional newsroom
Record a bulletin once, then recast the anchor for each regional channel that runs the same story.
News-style explainers
A company update or product news read at a desk, with a presenter chosen for each audience it reaches.
Test a new presenter
See how a candidate reads in your studio setup before you book a full day of recording with them.
How do I recast the anchor in a news video for different markets?
- 01
Upload the bulletin
Add one clip up to 30 seconds. For a longer sequence, recast it shot by shot and cut the shots together on the Compose timeline.
- 02
Add a photo per anchor
One photo for each person you replace, dressed the way they should look on screen. Anyone you give no photo stays exactly as shot.
- 03
Run Morphic Recast
For one anchor, the Recast character swap workflow takes the clip and the photo. The words, timing, desk and light stay as recorded.
只替换一个人？ 共享工作流只需要片段和一张照片。
打开工作流制作说明
Consent and releases
Recast only footage you hold releases for, and use photos of people who agreed to appear. Every example here uses generated people, not real actors.
When to also dub
The recast keeps the original soundtrack. For new lines or another language, run Morphic Dub on the recast shot so the voices and lips match.
Recast or reshoot
Recasting a bulletin skips a new shoot day and calling the cast back, and one take can carry a cast per market. Reshoot only when the action must change.
Review it as a team
Keep the source shot, the cast photos and every take in one project, where teammates in your workspace open the same versions and comment on each.
