Dusk on the train
A face against moving landscape, the light dropping frame by frame as the carriage runs west. The camera closes the distance so slowly that the change registers only at the end.
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AI cinematic videos
Direct a cinematic video in your browser with Morphic's cinematic video AI generator. Generate a slow push onto a face in a dusk train carriage, or an anamorphic wide over a rain-slick harbour, then hold the look across shots with Video Style Transfer.
Cinematic treatments you can direct
Cinematic sequences you can stage
Harbour in the rain
A wide, wet, reflective frame with one hard light source throwing a flare straight across it. Water carries the colour, the edges fall away, and nothing in the shot is centred.
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One shaft in the stairwell
Concrete, black shadow, and a single beam of daylight from high up with dust turning inside it. A figure moves into the light and most of the body stays lost.
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Ridge against the sun
A wide hold on a desert ridge with a figure walking its line, reduced to an outline by a sky that is far brighter than the ground. Heat distorts the far horizon.
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三步制作cinematic视频
- 一
描述你的场景
用简单的话写下你想要的cinematic场景。
- 二
生成视频
Morphic 在几秒内于画布上生成电影级片段。
- 三
优化并分享
调整提示词，重新生成，满意后即可下载或分享。
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简单定价
今天就免费开始，随时可以升级或取消。
Basic
$19/ 月
账单金额为 $0 每年2400 每月 信用
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所有模型
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Standard
$24/ 月
账单金额为 $0 每年3625 每月 信用
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所有模型
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Pro
$45/ 月
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+ 最多 4 人额外付费可增加
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Max
$170/ 月
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+ 最多 9 人额外付费可增加
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Enterprise
更高的限制
自定义
定价和账单条款
大容量信用
自定义席位限制
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Free
供随意体验
$0
永久免费
最多 20 积分
仅1个用户
部分模型
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常见问题
Where can I make cinematic videos with AI?
You can make them in your browser on Morphic. Open the Text to Video tool, describe the lens, the light and the move, and the clip generates in minutes. Assemble the shots on Compose and score them with Music.
What actually makes footage look cinematic?
Six things, and they are all choices rather than filters: a lens with character, shallow focus that decides what matters, one motivated light source, shadows you let stay black, a slow deliberate move, and a little grain. Name them in the prompt and the look follows.
Why does contrast matter so much?
Because filling every shadow is what makes an image read as documentation. Asking for deep blacks with no fill light gives the frame somewhere for the eye to rest. Shoot for one bright area and let everything else fall away.
How do I keep the look consistent across shots?
Write one look clause and repeat it word for word in every prompt, covering lens, grain and colour. For footage you have already generated, Video Style Transfer applies the same treatment across a set so the cut holds together.
What camera moves work best in generated clips?
Slow single moves: a push, a lateral drift, a rise, a gentle handheld follow. One move per clip renders far more cleanly than a complex choreographed move. If a shot needs two moves, generate it as two clips and cut between them.