Motes turning in a light shaft
Fine dust motes turn almost imperceptibly inside a hard backlit shaft, every particle picked out separately against the dark behind.
编辑提示词AI dust stock footage
Generate dust stock footage in Morphic's AI video generator: motes turning in a hard backlit shaft, or a curtain of dust dropping straight down frame. Layer the passes on Compose.
Dust plates you can generate
Dust sequences you can stage
Curtain dropping from above
A broad curtain of dust releases from above frame and drops straight down at medium speed, thinning out as it falls through the light.
编辑提示词Low sideways drift in gusts
Loose surface dust lifts and runs sideways along the bottom of a wide frame in gusts under raking side light, never rising far.
编辑提示词Wall of dust toward camera
A wall of dust advances straight down the lens axis toward camera and fills the frame, its leading edge tumbling over itself as it comes.
编辑提示词三步制作dust stock footage视频
- 一
描述你的场景
用简单的话写下你想要的dust stock footage场景。
- 二
生成视频
Morphic 在几秒内于画布上生成电影级片段。
- 三
优化并分享
调整提示词，重新生成，满意后即可下载或分享。
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简单定价
今天就免费开始，随时可以升级或取消。
Basic
$9/ 月
账单金额为 $0 每年1100 每月 信用
1 个用户
所有模型
工作流
Standard
$24/ 月
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Pro
$45/ 月
账单金额为 $0 每年6350 共享 每月 信用
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+ 最多 4 人额外付费可增加
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Pro Max
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+ 最多 9 人额外付费可增加
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Enterprise
更高的限制
自定义
定价和账单条款
大容量信用
自定义席位限制
所有模型
工作流
Free
供随意体验
$0
永久免费
最多 20 积分
仅1个用户
部分模型
工作流
常见问题
Where can I make dust stock footage with AI?
You can generate it in your browser on Morphic. Open the Text to Video tool, name the particle, the light that separates it and the rate it falls, and the plate renders in minutes. You set the density yourself, which is what normally sends people back for a second and third library search.
Why does my dust render as fog?
Because the prompt described a volume rather than particles. Dust reads as dust only when individual specks are visible and lit from behind or from the side. Ask for separately picked out particles, name the light direction, and give a fall rate; without those three the model defaults to an even haze.
Which dust shots render most reliably?
Slow drifting motes and falling curtains are the most reliable, because loose particulate has no fixed form to get wrong. Fast impact puffs hold up when you ask for high speed capture. The hardest ask is dust interacting with a specific object, so shoot the dust as its own pass and composite it.
Can I use generated dust footage commercially?
Yes. The element is generated from your prompt rather than licensed, so no rights-managed tier applies and no project count limits where it runs. Keeping the frame to particles and light, with nothing branded or legible in it, means there is nothing in the plate to clear.
How is this different from a dust pack from a stock library?
A pack ships one density and one fall rate per clip, so matching a shot usually means stacking several clips and hoping the result reads. Generating lets you write the density, the direction and the duration once and get a single pass that already sits at the right weight over your footage.