Clearing the horizon
A locked-off wide as the sun lifts off a flat sea horizon and pulls free of the haze band on an empty sky. Framed clean, so it composites under anything.
编辑提示词AI sun stock footage
Generate sun stock footage in your browser with Morphic's sun stock footage AI generator. Render the disc clearing a flat sea horizon, or shafts falling through mist in a clearing, then assemble the passes on Compose.
Sun plates you can generate
Sun sequences you can stage
Canopy flare
Looking straight up into moving foliage as the sun crosses behind it, the flare opening and shutting with the wind and green light flooding the frame between gusts.
编辑提示词Beams in the clearing
Defined shafts falling through hanging mist in a forest clearing, fog drifting slowly across them so the light keeps changing shape.
编辑提示词Behind the dune ridge
A wide, time-compressed hold as the sun drops behind a bare dune line and the colour runs out of the sky. Clean horizon, nothing in frame to date the shot.
编辑提示词三步制作sun stock footage视频
- 一
描述你的场景
用简单的话写下你想要的sun stock footage场景。
- 二
生成视频
Morphic 在几秒内于画布上生成电影级片段。
- 三
优化并分享
调整提示词，重新生成，满意后即可下载或分享。
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简单定价
今天就免费开始，随时可以升级或取消。
Basic
$9/ 月
账单金额为 $0 每年1100 每月 信用
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所有模型
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$24/ 月
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Pro
$45/ 月
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Pro Max
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Enterprise
更高的限制
自定义
定价和账单条款
大容量信用
自定义席位限制
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工作流
Free
供随意体验
$0
永久免费
最多 20 积分
仅1个用户
部分模型
工作流
常见问题
Where can I make sun stock footage with AI?
You can generate it in your browser on Morphic. Open the Text to Video tool, describe the sun, what the light passes through and the sky behind it, and the plate generates in minutes. Changing the hour is a prompt edit rather than another early start.
How do I keep a sun plate composite ready?
Ask for an empty background and nothing else in frame. A disc on a clean sky or a shaft in plain mist can be screened over almost any shot, while a sun with a recognisable skyline or a foreground object is locked to that one setting.
How do I stop the shot blowing out to white?
Give the light something to pass through. Haze, thin cloud, leaves, fog or dust all hold the disc together and give the beam a visible edge. A bare sun on a clear sky at noon is the hardest version, and it is also the least useful clip once it is in the timeline.
What sun shots render most reliably?
Discs on a clean horizon, flares through foliage, shafts in mist and cloud breaks all hold up very well, because none of them has a rigid shape to get wrong. The weakest ask is a sun above a detailed skyline, where the model starts inventing buildings and lettering.
Can I use generated sun footage commercially?
Yes. The plate comes from your prompt rather than a licence, so there is no rights-managed tier and no per-project cap. Keep landmark buildings and readable text out of the frame and the clip drops straight into a client cut.