Full-frame static held clean
A flat, edge-to-edge field of grey analogue static with fine scan lines and no bezel, the noise changing every frame, built to lay over a cut.
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AI TV static stock video
Generate TV static stock video in Morphic's AI video generator: full-frame snow with scan lines, or a roll bar climbing a dark screen. Lay it over the cut as a texture layer on Compose.
TV static plates you can generate
TV static sequences you can stage
A set glowing on bare floorboards
A television on the floor of an empty room at night, facing the lens, its static reflected in the polished boards and flickering up the far wall.
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A wall of sets on snow
A stacked wall of old televisions all showing static, each screen at a slightly different phase and brightness, the camera drifting slowly across.
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Static through a rain-streaked window
Seen from a wet street at night, a television showing static in a dark shop window, its flicker breaking up through rain running down the glass.
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三步制作TV static stock视频
- 一
描述你的场景
用简单的话写下你想要的TV static stock场景。
- 二
生成视频
Morphic 在几秒内于画布上生成电影级片段。
- 三
优化并分享
调整提示词，重新生成，满意后即可下载或分享。
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简单定价
今天就免费开始，随时可以升级或取消。
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常见问题
Where can I make TV static stock video with AI?
You can generate it in your browser on Morphic. Open the Text to Video tool, describe the density of the snow, the scan lines and whether you want a bare field or a set in a room, and the clip generates in minutes. You get noise at your own frame size and length instead of stretching a loop from an overlay pack.
Which TV static shots render most reliably?
Full-frame snow with scan lines, a roll bar, a set lighting a dark room and phosphor dots in macro all come back convincingly, because noise forgives small errors from frame to frame. The weak spot is a picture collapsing to static, where the model wants to invent the picture; give it a plain grey field to collapse from. Keep the bezel out when you want a clean overlay.
How do I get TV static that composites cleanly over other footage?
Ask for a flat edge-to-edge field with no bezel, no screen curvature and neutral grey tones, then say the noise changes every frame at a steady density. In the edit, set the layer to screen or overlay and pull the opacity down; the grey stays out of the way and the bright grain reads as interference. Generate it at the exact frame size of your sequence so nothing is scaled.
Can I use generated TV static in a commercial without clearing anything?
Yes. Static itself is a physical phenomenon with no owner, and these plates carry no broadcaster ident, no test card and no colour bars, which are the recognisable designs a library clip sometimes drags in. Keep the set unbranded and any hand unnamed and there is nothing in frame to clear; the only thing to watch is what you composite it over.
How is this different from a stock library subscription?
An overlay pack gives you one loop at one grain and one size, and stretching it to fit a 4K timeline shows every repeat. Generating gives you the density, the tint, the scan-line pitch and the exact duration your cut asks for, at the frame size it ships in, plus the set-in-a-room scenes a pack never includes. No watermark flickers across the noise while you try it.