Typing sound effect

Typing is a cadence before it is a click. Say how fast the hands move, how even the run is, and how long it lasts, and Morphic builds it to your edit.

  • Set the pace, the evenness, and how long the hands keep working
  • A run written for your scene instead of the same stock take everyone cuts to
  • Clean audio at full quality, ready for a timeline or a game build
Two hands blurred mid-stroke across a dark keyboard, one raking light catching the tops of the keycaps

Typing runs for film, games, and screen recordings

Steady work

An even mid-pitch run that holds its pace without pauses. This is the version most edits want, because it reads as someone working rather than as someone performing a moment of typing.

Short burst

Eight strikes and a stop. Reach for it when typing has to land on a specific frame, since a short run can be placed exactly where a long one only ever drifts.

Hesitant taps

Single strikes with uneven gaps between them. The pauses carry the meaning here: the same keyboard sounds like doubt rather than competence purely because of the spacing.

Fast clatter

Dense, bright and rattling, with the strikes almost overlapping. It pushes urgency without any change in level, which makes it useful under a montage that is already busy.

Soft laptop keys

Shallow, muted strikes with almost no ring. It sits far enough back to run under narration, which the brighter takes never manage without fighting the voice.

Run ending on a return

A short run, a beat of nothing, then one deeper strike. That final key is a full stop, which is why it works as the exact moment a message is sent on screen.

Generate a typing run from a prompt

出発点を選び、好きなように編集して、Morphicで生成しましょう。

生成

Ways to use a typing sound effect

Land the moment a message is sent

A run that stops on one deeper strike puts a full stop on the action. It reads the same in a thriller, a game cutscene and an app demo with no narration.

プロンプトを編集
Land the moment a message is sent

Carry a working scene with nobody talking

A steady run holds a long shot together on its own. Screen recordings, animated study scenes and documentary sequences all stay watchable without a track under them.

プロンプトを編集
Carry a working scene with nobody talking

Show how the person at the desk is feeling

Even strikes read as focus, uneven ones as hesitation, fast clatter as pressure. The keyboard never changes, only the rhythm, and an audience reads it instantly.

プロンプトを編集
Show how the person at the desk is feeling

Put someone working in the next room

A muted run under dialogue implies a person nobody has to cast or frame. Audio drama leans on it hardest, but games use it to make an empty level feel staffed.

プロンプトを編集
Put someone working in the next room

シンプルな料金体系

今すぐ無料で始めて、いつでもアップグレードまたはキャンセルできます。

Basic

$9/
請求額は $0

900 月 クレジット

1 ユーザーのみ

すべてのモデル

ワークフロー

Standard

$24/
請求額は $0

3200 月 クレジット

1 ユーザーのみ

すべてのモデル

ワークフロー

Pro

$45/
請求額は $0

6200 共有 月 クレジット

1 ユーザー

+ 最大 4 名まで追加費用

すべてのモデル

ワークフロー

Pro Max

$170/
請求額は $0

24000 共有 月 クレジット

1 ユーザー

+ 最大 9 名まで追加費用

すべてのモデル

ワークフロー

Enterprise

より高い制限のために

カスタム

料金と請求条件

大容量クレジット
カスタムシート制限
すべてのモデル
ワークフロー
Pricing Gradient

Free

気軽に試したい方に

$0

ずっと無料

最大20クレジット
1ユーザーのみ
一部のモデル
ワークフロー

よくある質問

How do I make a typing sound effect?
Describe the stream instead of the key. Say how fast the strikes arrive, whether the spacing is even or ragged, how bright each tap is, and how long the run lasts, and the take comes back usable rather than as a single isolated tap.
Why does my typing sound come back as one tap?
Because nothing in the prompt said it repeats. A run needs continuous or no gaps plus a stated length, otherwise the model treats the request as a single event and gives you exactly one strike with silence around it.
How do I make typing sound fast without sounding frantic?
Keep the spacing even and let the density carry the speed. Ragged timing is what reads as panic, so a quick run with regular gaps sounds like a fast typist while the same pace unevenly spaced sounds like someone struggling.
What length of typing should I generate for an edit?
Generate longer than the shot and cut into it. A ten second run gives you a usable start and end anywhere along its length, whereas a take cut to the exact shot leaves nothing to trim when the picture changes.
How do I keep typing from fighting the dialogue?
Ask for shallow, muted strikes with no ring. Bright clacking sits in the same range as consonants, so the softer version stays audible underneath a voice while the harder one competes with every word.
Can I use a generated typing sound commercially?
Yes, audio generated on paid plans can be used commercially. See our terms for full licensing details. Generating the run also lets you match it to the machine actually on screen, which a downloaded take rarely does.