Moonvalley alternative

Morphic. Instead of a single video model, you get a workspace that runs many top models with an agentic Copilot that plans the job, a live Canvas your team reviews on, and a Compose timeline to cut, score, and subtitle the result. The whole production happens in one place, from script to delivery.

Moonvalley is a research lab whose product is Marey, a video model for film and commercial work, trained on licensed footage with strong physics and lighting control. Morphic is a creative workspace: many models rather than one, plus an agent, reference-sheet consistency, team collaboration, and a timeline. One is a model; the other is where a production runs.

Marey is Moonvalley's video generation model, built for cinematic work. Moonvalley highlights its licensed training data, high-resolution detail, natural physics, and lighting control. It handles text-to-video and image-to-video generation, and it is aimed at filmmakers and commercial productions rather than casual social clips.

Yes. Attach the screenplay as a PDF, along with reference images, audio, video, or an SRT, and that material becomes the brief Copilot works from. A long script is searched rather than skimmed, so you can ask for one scene's coverage without the rest crowding the conversation.

Reference sheets do the work that prompt wording cannot. Assemble the look once, then attach it to each generation that needs it. Several references can ride on a single shot, and Copilot carries each one through to the model rather than paraphrasing it, so the same face and the same set hold from scene to scene.

Yes. The Canvas is live and shared: everyone sees the same current state, cursors included, and clicking a teammate's avatar follows their view. Nothing gets exported and posted somewhere else for notes, because the Canvas is the screening room. Available on the Pro plan and above.

Yes. Compose is a drag-and-drop timeline in the same workspace. Sequence the selects, add transitions (fade, wipe, slide, circle open), lay in music and narration with per-clip volume, and export the finished cut without moving assets to a separate editor.

Any audio or video becomes an SRT transcript, translated into a second language if the delivery needs it, with styled captions burned onto the clip. An interview, a director's cut, or a foreign-language version all come out of the same workspace as the film itself.

No. Copilot can assemble a first pass on its own, and the Compose timeline is drag-and-drop rather than a professional NLE. You refine by moving clips and adjusting audio, not by learning an editor. Filmmakers who want fine control still get it; nobody needs it to start.

Yes. The model is a per-shot decision on Morphic, not a per-project commitment. A dialogue close-up and a wide landscape shot can run on different models in the same batch, and Copilot can pick per step when you brief it with the whole job.