Kling Image 4.0: the complete prompt guide

A tailor's workshop at night, an old tailor chalking a line on navy wool under a single green desk lamp, bolts of cloth stacked to the ceiling behind him. Shot on a 35mm lens at eye level, warm tungsten light against cool blue shadows, fine film grain.

Short: A salt harvester raking a salt pan at dusk.

Detailed: Wide still from an independent film. A salt works on a flat coast at the last minute of dusk. In the foreground, a shallow rectangular salt pan holds a thin sheet of water that mirrors the sky, its surface broken by small islands of white crystals. A woman in her sixties stands mid-frame, rubber boots ankle-deep, pulling a long wooden rake toward her so a low ridge of salt gathers at her feet. She wears a faded indigo work jacket with rolled sleeves and a knitted cap pushed back; loose grey hair moves in the wind. Behind her, conical heaps of harvested salt line a narrow earth bank, and further back a single stone hut with one lit window. The sun has just set behind the hut, leaving a peach band on the horizon fading into violet. 50mm lens, camera at hip height, natural light only, soft contrast, fine film grain, muted colours, no text anywhere.

A flower stall at a covered market at six in the morning, seen from the aisle. On the left, steel buckets of white tulips, orange ranunculus and dark red dahlias, each with a blank kraft-paper tag. In the centre, a wooden counter with a roll of brown paper, a ball of twine, a pair of red-handled scissors and a ceramic mug of black coffee. On the right, eucalyptus branches hang upside down from a rail to dry. Behind the counter, a young florist in a green canvas apron trims stems and looks down at her work. Pale daylight falls from a glass roof onto wet concrete. 35mm lens, eye level, soft contrast, natural colours.

Put the desk lamp from @Image1 on the oak writing desk of a quiet study at night, switched on, its warm light falling on an open notebook and a fountain pen. Keep the lamp's shape, brass finish and walnut base exactly as in @Image1. Bookshelves soft in the background.

The courier from @Image1 waits at a tram stop at night in the rain, her bike beside her, the street lights reflected on wet cobbles. Keep her face, hair, yellow jacket and grey bag the same as in @Image1. 35mm lens, cinematic colour.

The courier from @Image1 wears the olive field jacket from @Image2 and wheels her bike through the courtyard in @Image3 in the late afternoon. Keep her face and hair from @Image1, the jacket's colour and pockets from @Image2, and the courtyard's walls, lemon trees and light from @Image3.

Ultrawide dawn view of a stone railway viaduct crossing a misty mountain valley, a small red train halfway across, pine forest below, soft pink light on the peaks. Still from an independent film, anamorphic lens, natural light only, muted colours, fine film grain.

Vertical film poster. A small ferry crosses a black sea at night, one warm lit cabin window, its wake a pale curve; above it, a vast deep blue sky with a thin crescent moon. Elegant, restrained design with a wide margin. The only text on the poster is the title NIGHT FERRY in clean, widely spaced serif capitals near the top. No other words, no credits, no dates, no laurels, no web addresses.