Punctuate a throw
Shout on the wind-up, whoosh on the release. Splitting them across two frames is what makes the action read as deliberate rather than dubbed.
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Yeet sound effect
The shout, the throw, and whatever it hits. Generate the one-syllable call at your own pitch, then the whoosh and the landing that finish the joke.
- Generate the shout, the throw, and the landing separately so each one hits its own frame
- A take cut for your edit rather than the one clip the whole internet already recognises
- Download clean audio and drop it straight into your edit
Throw sounds for videos, games, and animation
Sharp shout
One bright vowel with an instant attack and a hard stop. The cut-off matters more than the volume, because the sound has to end before the throw begins.
Committed shout
Longer and more strained, as if the throw took everything. Use it when the object is heavy or the character clearly should not be doing this.
Group shout
Several voices on the same vowel, each a fraction apart. The stagger is what stops it sounding like one take copied three times.
Throw whoosh
A rush of air rising and dropping away. Cut it so it starts the frame after the shout ends and the throw reads as one continuous action.
Distant landing
A thin muffled clatter somewhere far off. The punchline, and the reason to leave a gap after the whoosh rather than cutting straight to it.
Hard impact
A close solid thud with no scatter after it. The version where the throw hits something immediately, which is a different joke to the long silence.
Generate a throw sound from a prompt
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Ways to use the yeet sound effect
Fill the gap before the payoff
Leave a beat of nothing between the whoosh and the landing. The silence is the joke, and a music cue over it would kill the timing.
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Tell the audience how far it went
A close solid thud means it barely left. A thin muffled clatter with a gap before it means it is gone. The distance is entirely in the sound.
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Show a throw you never filmed
Shout, whoosh, landing, over a static shot of somebody watching. The audience builds the whole action out of three sounds and a reaction.
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よくある質問
What makes the shout land properly?
The hard cut-off. A shout that fades sounds like a person trailing off; a shout that stops dead sounds like someone who has already let go of the object. Ask for an instant attack and a hard cut-off explicitly.
How do I time the three sounds?
Shout on the wind-up, whoosh on the release, and leave a real gap before the landing. That gap is the joke, so resist the urge to close it.
How do I get a group shouting rather than one voice?
Ask for several voices each starting a fraction apart. Prompting a crowd as one thing returns a single thick voice, and it is the stagger between entries that makes it read as separate people.
Should the landing be close or distant?
Distant is usually funnier, because the gap before it tells the audience the object travelled. A close thud is the other joke, where the throw failed immediately.
Why does my shout sound like it is in a hall?
Something in the prompt implied a space. Keep it to "dry and close" and add any reverb in your editor, where you can match it to the room in the picture.
Can I use this in a monetised video or a game?
Yes. Audio generated on a paid Morphic plan is cleared for commercial use, and because the take is generated rather than lifted from a circulating clip there is no third-party claim on it.