3D storyboard and animatic maker

A row of glowing translucent panels receding into depth on a black ground, the cover for the Morphic 3D storyboard and animatic maker

Block each beat in 3D with a camera. Play it as an animatic, then generate.

What is a 3D storyboard, and when is it better than drawn boards?

A 3D storyboard is a set of frames from cameras inside one blocked 3D scene. Every panel shows where people stand and what the lens sees, and the geography holds from beat to beat.

Drawn boards are quicker for a first idea; 3D pays off once a scene has movement or several cameras. In Morphic the board is a 3D Scene that also plays as the animatic. Below, one beat as a panel and as the generated shot.

Finished night shot from the same wide camera: a nurse in navy scrubs waits under a bus shelter as a boy in a yellow raincoat runs in through the rainGenerated shot
3D Scene blocking of a bus stop at night: a red figure waits under the shelter as a blue figure runs in from the left, seen from a wide camera3D storyboard panel

Make a 3D storyboard in three steps

  1. 01

    Block the scene

    Describe the scene to Copilot, or hand it your shot list, and it builds the set, cast, cameras and cuts.

  2. 02

    Board each beat

    Give each beat a camera, fix poses and paths by hand, and press P to save a snapshot of any frame.

  3. 03

    Play the animatic

    Render the scene as a video with its cuts and timing, then generate the final shots from it.

Board each beat in a 3D scene

Build the set and cast for the 3D storyboard

Copilot builds the location and cast from a library of people, vehicles, props and whole locations, or you upload your own .glb, .gltf or .obj set. Colour and name labels make the cast readable on every panel.

Top view of a 3D Scene bus stop at night: a red figure under the shelter, a row of marker spheres along the blue figure's running route, and markers at the four camera positions

Frame every storyboard panel with its own camera

Add a camera per beat and cut between them. Pick a lens preset and set field of view and roll, or use a one-click angle for a quick low, overhead, two-shot or over-the-shoulder frame.

Four 3D Scene panels of the bus stop scene in a two-by-two grid: a wide, a close frame on the red figure, a frame following the running blue figure, and a two-shot under the shelter

Pose the moment each panel needs

Pick a pose preset or pose any body part, set height and body width, and give each figure a path to walk or run. Save a motion as a clip to repeat a gesture on another figure.

Close 3D Scene frame of the red figure under the bus shelter, lit by the warm shelter light

Turn the 3D boards into an animatic with timing

Timing to the frame

Each panel is a camera in a moving scene, so once the cuts are set, the animatic is there. Slide a cut, slow a walk or hold a look on a timeline that zooms to single frames.

Camera feel and checks

Record a camera move live, or set a Camera style for the rig feel and shake. The editor flags a camera crossing the 180-degree line; temp sound goes on in Compose.

Export the storyboard frames and the 3D animatic

Video and Still frame export at 720p or 1080p in five aspect ratios, widescreen to vertical. A scene card on the Canvas also downloads the video, a thumbnail or the scene file without opening the editor.

ExportWhat you getUse it for
VideoThe animatic as an MP4, rendered in the browser at no credit costThe Canvas beside the script, or the pitch
Still frameThe current camera's panel as a PNGPitch decks and printed boards
Scene fileThe whole 3D sceneA backup, or a hand-off to a colleague

Generate the final shots from the 3D storyboard

Attach the animatic, or a snapshot of one panel, and name each figure by colour. The board guides staging, screen direction and angle; the model adds faces and light. The 3D scene to AI video guide covers the handoff, and previs software covers whole sequences.

Casting by colour

The red figure is a nurse in navy scrubs. The blue figure is a boy in a yellow raincoat. Keep the staging and camera from the reference.

Other storyboard routes: from a script or a grid

From a script

Copilot boards straight from a script: see the AI storyboard generator.

Frame by frame

The cinematic storyboard guide generates panels from a scene description, and the Cinematic Storyboarding workflow runs it with your character references.

As a grid

The 3x3 photo storyboard shows one scene in several framings.

Mix the routes

Draw the quiet beats and block the complicated ones in 3D. Compare the best AI storyboard tools.

All on Morphic

From the board to the shot

Harga sederhana

Mulai gratis hari ini, dengan opsi untuk upgrade atau membatalkan kapan saja.

Basic

$19/ bulan
ditagih sebagai $228 per tahun

2400 bulanan kredit

1 pengguna saja

Semua model

Workflows

Standard

$24/ bulan
ditagih sebagai $288 per tahun

3625 bulanan kredit

1 pengguna saja

Semua model

Workflows

Pro

$45/ bulan
ditagih sebagai $540 per tahun

6350 bersama bulanan kredit

1 pengguna

+ hingga 4 lainnya dengan biaya tambahan

Semua model

Workflows

Max

$170/ bulan
ditagih sebagai $2040 per tahun

24650 bersama bulanan kredit

1 pengguna

+ hingga 9 lainnya dengan biaya tambahan

Semua model

Workflows

Enterprise

Untuk batas yang lebih tinggi

Khusus

ketentuan harga dan penagihan

Kredit volume tinggi
Batas kursi khusus
Semua model
Workflows
Pricing Gradient

Free

Untuk bereksperimen

$0

gratis selamanya

Hingga 20 kredit
Hanya 1 pengguna
Model terbatas
Workflows

FAQ

What is the difference between an animatic and a storyboard?
A storyboard is a set of still frames, one per beat, that shows what each camera sees. An animatic plays those frames in time, with cuts and usually temp sound, so you can judge the pace. In a 3D scene both come from one file: the panels are frames from its cameras and the animatic is the rendered scene.
Can I add sound to a 3D animatic?
Yes, in Compose. Render the animatic from 3D Scene, place it on a Compose timeline, and lay temp music, voiceover and sound effects on their own tracks with their own levels. Retime the picture there too, then export the cut to share with the team or take into the pitch.
Can I export 3D storyboard frames for a pitch deck?
Yes. Export a Still frame from any camera as a PNG at 720p or 1080p, in 16:9, 9:16, 2.39:1, 4:3 or 1:1, and drop the panels into your deck. Copilot can also lay the frames out as a slide deck in the chat, which you can present or save as a PDF.
Can my team comment on the 3D storyboard?
Yes, on the exported frames and the animatic. Comments attach to assets, so add the animatic video to the Canvas and upload the panels, and the team can comment on a point, an area or a moment. Inside the 3D scene itself, people edit together live, with markers showing who is working where.
Do I need 3D experience to make a 3D storyboard?
No. Describe the scene, or hand Copilot your shot list, and it builds the location, the cast, the movement, the cameras and the cuts, then checks the shots on preview frames. Everything it builds stays editable by hand, so you learn the controls by adjusting a scene that already works.
Is the 3D animatic the finished video?
No. The animatic shows colour-coded figures in a blocked set, which is what makes it quick to change. It becomes the reference for the final shots: attach it to a generation, name each figure by colour in the prompt, and the blocking guides the staging, screen direction and camera of the generated shot.

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