Land a reaction on the exact frame
A hard attack with a tight body hits where you put it. That precision is what separates a reaction landing and a reaction arriving a beat late.
プロンプトを編集
Vine boom sound effect
The low bass hit editors drop on a reaction. Generate a clean take with the sub intact, at the pitch and decay your cut needs, not a rip.
- Ask for the pitch, the attack, and how long the decay runs
- Your own hit with the sub intact, not a re-encoded rip
- Uncompressed audio that lands on your frame
Vine boom variations for edits, shorts, and streams
Classic boom
0:04Hard attack, heavy low body, smooth decay. The version most edits want, and the one where the sub is doing the work rather than the transient.
Short punch
0:02Tight and cut off fast. Reach for it when several hits land close together and a long decay would smear them into each other.
Long sub drop
0:06Falls in pitch as it decays, so the hit keeps moving after it lands. That downward slide is what makes it feel like weight rather than just volume.
Double boom
0:04Two hits with a short gap. The repeat gives an editor a second cut point and reads as emphasis rather than a single reaction.
Distorted boom
0:04Driven hard until the low end breaks up. The grit gives it presence on small speakers, where a clean sub disappears entirely.
Boom with a tail
0:06The same hit with a long reverberant tail behind it. The tail carries across a cut, so the sound joins two shots rather than stopping between them.
Generate a boom sound from a prompt
出発点を選び、好きなように編集して、Morphicで生成しましょう。
Ways to use the vine boom sound effect
Let a long decay carry the beat on its own
A long decay carries a silent beat entirely on its own. It works over a stream clip or an animated short the same way it does in a talking-head edit.
プロンプトを編集
Open on a hit that sets the register
Opening on a bass hit tells an audience the register before a word is spoken. The distorted take reads aggressive, the clean one reads deadpan.
プロンプトを編集
Join two shots with a decaying tail
The take with a reverberant tail keeps running under the edit point, so two unrelated shots feel joined. It is the cheapest transition you can build.
プロンプトを編集
こちらもおすすめ
goofy ahh効果音
goofy ahh効果音をプロンプトからAI生成。音割れしたゴム球ホーンや重い足踏みなど、ショート動画のオチに合う一発を作れます。
面白い効果音
面白い効果音をプロンプトからAI生成。ボヨーンと弾むバネ、スライドホイッスル、ベチャッと潰れる音、キュッと鳴る笛まで、編集やアニメにそのまま使える音で作れます。
Heheheha sound effect
Browse ready-made heheheha sound effect clips, then generate your own at the length your scene needs. Morphic makes sound, voice, image and video in one workspace.
huh効果音
聞き返す一言の効果音をAIで生成。huh、えっ？、は？にあたる戸惑いの声を、言い方と音程の動きで指定できます。実況やショート動画の編集に使える、クリーンな声の音声です。
Meme & viralの効果音をもっと見る
シンプルな料金体系
今すぐ無料で始めて、いつでもアップグレードまたはキャンセルできます。
Basic
$19/ 月
請求額は $228 年2400 月 クレジット
1 ユーザーのみ
すべてのモデル
ワークフロー
Standard
$24/ 月
請求額は $288 年3625 月 クレジット
1 ユーザーのみ
すべてのモデル
ワークフロー
Pro
$45/ 月
請求額は $540 年6350 共有 月 クレジット
1 ユーザー
+ 最大 4 名まで追加費用
すべてのモデル
ワークフロー
Max
$170/ 月
請求額は $2040 年24650 共有 月 クレジット
1 ユーザー
+ 最大 9 名まで追加費用
すべてのモデル
ワークフロー
Enterprise
より高い制限のために
カスタム
料金と請求条件
大容量クレジット
カスタムシート制限
すべてのモデル
ワークフロー
Free
気軽に試したい方に
$0
ずっと無料
最大20クレジット
1ユーザーのみ
一部のモデル
ワークフロー
よくある質問
What is the vine boom sound effect?
A short, deep bass hit used to punctuate a reaction or an unexpected moment on screen. It became a staple of short-form editing because it reads instantly, needs no setup, and sits in a frequency range nothing else in a talking-head edit occupies.
How do I make my own boom sound effect?
Describe the attack and the decay. Say how hard the front of the hit is, how deep the body runs, whether the pitch falls as it fades, and roughly how long it takes to die away. Those four details decide everything about how the hit lands.
Why does a downloaded boom sound worse than a generated one?
Because low frequencies are the first thing lost when a clip is re-encoded, and most circulating rips have been through that repeatedly. A generated take keeps the sub intact at the length you asked for, in uncompressed audio that will not sound harsh next to dialogue.
Why can I not hear the boom on my phone?
Because small speakers cannot reproduce the lowest frequencies at all. Ask for a version with some distortion or grit in it, which adds harmonics higher up that a phone speaker can actually play. That is what makes a bass hit read on a device with no sub.
How do I stop the boom clashing with my music?
Use a shorter decay, or pick a take that falls in pitch rather than one that holds. A long, steady sub sits in the same place as most music basslines, while a fast falling hit moves out of the way quickly enough to avoid the clash.
Can I use a generated boom sound commercially?
Yes, audio generated on paid plans can be used commercially. See our terms for full licensing details. Generating your own take also avoids the licensing question that comes with reusing someone else's upload, since the audio is created rather than copied.