Resize video online

Change the frame without losing the shot

A shot being reframed to resize video online for a vertical feed
YouTube, a site, a deck
V1
16:9

Change the ratio and the frame changes under the same footage. Drag the handle to choose what stays in it.

Resize video online by changing the frame the project renders into, then deciding what each clip does inside it. The ratio lives on the project and the position lives on the clip, so neither one is baked into the footage. It happens in your browser, on the timeline the cut was made on.

FormatsMP4, MOV, WebM, MKV, AVI and MPEG go in.
Non-destructiveThe file you brought is never rewritten.
Your footageSits in your library on no retention clock.
Clean exportsClean MP4 up to 4K on any paid plan.

How to resize a video in three steps

  1. 01

    Set the frame

    Give the project the ratio you are delivering: vertical, square or widescreen.

  2. 02

    Place each clip inside it

    Slide and scale until the part that matters is the part the frame shows.

  3. 03

    Export at the new size

    Render MP4 up to 4K on your own machine, whole timeline or a marked section.

What the video resizer does

These are Compose V2 moves, and V2 arrives one workspace at a time.

One frame, set once

The project holds its own resolution and frame rate, and every clip renders into it. Change that number and the whole timeline changes with it. No clip needs its own treatment.

Position, scale, rotate, flip

Each clip carries its own transform inside the frame. Push a talking head off centre to leave room for a caption, scale a wide shot until the subject fills a vertical window, mirror a clip that was filmed the wrong way round.

Reframing that follows the action

A subject who walks across a wide shot leaves a narrow frame if the crop stays put. Animate the position over the length of the clip and the window travels with them. A crop chooses once; a reframe keeps choosing.

Reframe by asking

Copilot reads the timeline and takes your selection and the playhead as context, so bring every clip into the vertical frame is a complete instruction. However many clips it touches, it lands as one action and comes back in one undo.

Titles that move with the frame

Captions and titles live on the timeline as their own items. Narrow the frame and they are still editable, so a lower third that ran off the edge is dragged back in a second.

Export up to 4K, any shape

Vertical, square and widescreen render the same way at 4K or below, at the project quality or one you choose, on your own machine with no queue. A marked section exports on its own.

Widening a frame asks for picture that was never filmed, and both answers to that are in the same tab. Extend the edge of the shot you already have, or generate a new one framed for the ratio you are moving to, picking from the whole model roster without leaving the project. Either arrives on the timeline as an ordinary clip. Seedance 2.5 is one of the video models on that roster.

Video resizer for Instagram

Instagram is three deliveries in one platform, and the ratio separates them:

  • 4:5 — a feed post. More screen than a square without becoming a Reel.
  • 9:16 — a Reel or a Story.
  • 1:1 — a grid tile.

All three come out of one project. Set the frame, place the clips, export; change the number, fix the two clips where the subject sat near an edge, export again. Titles stay editable across both and the safe area moves with the frame, so a second cut is an afternoon rather than a rebuild. A set of placements you ship weekly is worth saving as a workflow.

Resize video for TikTok

Widescreen footage posted vertical loses two thirds of its width, usually the two thirds the subject is standing in. Set the project to nine by sixteen, then walk the timeline clip by clip:

  • An interview holds, once you push the frame to whoever is speaking.
  • A wide establishing shot rarely survives the crop. Scale it until one part carries it.
  • A screen recording wants the opposite: scale down, let colour fill the edges, keep it readable.
  • A shot that refuses to crop can become a split screen video instead, two halves stacked in the tall frame.

Footage that arrived on its side wants turning first, so flip video before you reframe. After that, the rest of the job is how you edit TikTok video for the feed.

Auto reframe without an auto button

Auto reframe, as most tools sell it, is a subject tracker guessing where the window goes. The same outcome is reachable two ways here, and you can check both:

  • By hand — a clip's position animates like any property. Set the frame at the start of a move and again at the end; the window travels between them.
  • By instruction — Copilot reads the timeline and runs that pass across every clip, atomically, in one undo.

A reframe you dislike is one keystroke from gone, which is what makes it worth trying. What it will not do is decide on its own that a shot needed reframing.

Related video tools

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FAQs

Is the video resizer free to use?
Setting the ratio and moving clips around inside it costs nothing, for as many passes as the delivery takes. What is charged is asking Copilot to do the repositioning for you: an assistant edit is billed per command, so one instruction that reframes forty clips is billed as forty. A request that cannot be completed is not billed at all, because the whole batch either applies or none of it does. Exports render on your own machine today and carry no credit cost.
Will resizing crop my subject out of frame?
Only if you leave the clip where the wider frame put it. A ratio change alters the window, not the picture inside it, so the clip keeps its full width and you decide which part of it the new window shows. Slide it, scale it, or animate the position across the clip when the subject walks. The footage outside the frame is still there and still reachable, so a reframe is worth redoing before anyone talks about a second shoot day.
Does resizing a video reduce its quality?
The project stores a frame size and each clip stores a position inside it. Neither touches the source file, so moving between ratios as many times as you like costs nothing in quality. Only the export renders pixels, and it renders once, from the original. Scaling a clip past its own resolution is the one thing that softens it, and that is a limit of the footage.
What aspect ratios can I resize a video to?
The project carries its own frame size, so vertical, square and widescreen are the same job with a different number in the same field. Nine by sixteen for TikTok, Reels and Shorts, one by one and four by five for a feed, sixteen by nine for YouTube and a landing page. None of them is a special mode and none of them exports differently from the others.
Does a resized video have a watermark?
Free-plan exports carry a Morphic watermark burned into the picture. Coming off it is a paid-plan benefit and it applies to every export, so it is not something the resizer turns on or off by itself.
What video formats can I resize?
MP4, MOV, WebM, MKV, AVI and MPEG all place on the timeline, which covers what a phone, a camera and a screen recorder produce between them. Stills and audio sit on the same timeline beside them, so a title card or a music bed is resized along with everything else. Export is MP4 at up to 4K, in two container choices.
Is there a length limit on the video I can resize?
There is no length to stay under while you work. The pressure is at the export, where a long timeline is rendered as parallel chunks and an extremely long one can be turned away, so a feature-length delivery is not something to plan around yet. The editor tells you when you have reached it.
Where does my footage go while I resize it?
Into your own workspace, where it stays. Nothing runs down a retention clock. That is the trade a one-off converter makes so it never has to keep anything. That is what makes a second pass at the crop possible next week. Deleting a video here is permanent and takes the timeline with it, so delete on purpose.

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