Most browser video editors ask you to give something up: a watermark you cannot remove, a trim set that stops at the ends of a clip, an export ceiling you only discover at the end. Morphic runs a real timeline in a tab, with the tools you already know and generation sitting beside them.
Try the timeline
A working miniature of Compose. Trim a clip, blade it at the playhead, ripple delete a section. What you change here is what plays.
Drag either edge to trim. Pick the blade and click the timeline to cut there, then select a section and ripple delete to close the gap.
What the full editor adds
The demo above is one track and one clip. The editor itself carries named video and audio tracks with visibility, lock and link, so an overlay, a lower third and a music bed each sit where you expect them.
Titles and lower thirds animate line by line or word by word. Captions are generated from the audio, then styled and placed. Position, scale, rotation and opacity take keyframes on hold, linear or smooth curves, so a punch-in eases instead of snapping.
Every tool in the editor
Each one opens in the same project, on the same timelineVideo cutter
Trim either end of a clip, blade it at the playhead, and ripple delete the part you cut out.
Add text to video
Headlines, subtitles and lower thirds at the playhead, animated line by line or word by word.
Subtitle generator
Generate subtitles from the audio, then style and place them.
Video background remover
Separate a subject from a busy background and put them somewhere else.
Video upscaler
Raise the resolution of soft footage so a phone clip holds up on a bigger screen.
Green screen
Key a subject cleanly and drop a new world in behind them.
Video filters
Grade and treat a clip without leaving the project.
Sound effects
Generate effects and lay them under the cut with per-clip volume.
B-roll generator
Fill the gaps in a cut with shots you never filmed.
Video dubbing
Put the same cut into another language without re-recording it.
Video resizer
Switch the project between vertical, square and widescreen and reframe each clip.
Combine videos
Lay clips end to end, reorder them, treat the joins, and export one file.
Add audio to video
Music, narration and effects on separate layers, each at its own level.
Mute video
Detach a clip's sound onto its own track, then silence or cut part of it.
Video speed controller
Run one clip faster or slower without changing the pace of the rest.
Flip video
Turn a sideways clip upright, or mirror it to match the way a subject faces.
Split screen video
Stack clips on layers so several play at once in one frame.
Video editor with keyframes
Pin a value at two moments and let position, scale or colour move between them.
Color correction
Curves, wheels, per-colour control and 3D LUTs, saved with the project.
Edit TikTok video
A vertical project from the start, with captions and a mix built for sound on.
Shorts editor
Lift a section out of a long upload and give it a vertical frame.
Edit Reels
One cut that also owes a feed post, exported from the same timeline.
Coming from another editor
The shortcuts are the same letters, so the first hour is editing rather than hunting through menus.
| Tool | Key | What it does |
|---|---|---|
| Selection | V | Pick and move clips |
| Blade | B | Cut at the playhead |
| Rolling trim | R | Move the edit between two clips without changing the total length |
| Slip | Y | Change what a clip shows without moving it |
| Slide | U | Move a clip and let its neighbours absorb the change |
| Hand | H | Pan the timeline |
| Snapping | N | Toggle magnetic edges |
Ripple delete, linked clips and all seventeen transitions work the way you expect them to.
And sixty models, if you need a shot you do not have
The part a traditional editor cannot do. Generate the missing shot into the cut instead of sourcing it somewhere else.Edit a video in three steps
- 01
Bring in your footage
Upload your clips, or generate the ones you are missing. Both land in the same media rail.
- 02
Cut it together
Trim to the beat, blade where the cut belongs, layer music and narration, and generate captions from the audio.
- 03
Export
Choose a quality up to 2160p and a codec, then export. Paid plans export clean.
Next to a desktop editor
| The job | A desktop NLE | Morphic |
|---|---|---|
| Install | A machine that can take it | A browser tab |
| Cut a sequence | Full trim set, years of muscle memory | The same trim set, on the same keys |
| Get a shot you do not have | Shoot it, licence it, or brief someone | Generate it beside the timeline |
| Captions | Transcribe elsewhere, import, restyle | Generated from the audio in the editor |
| Working across machines | Move the project and the media | Sign in, and it is where you left it |
| Collaboration | Shared storage, or a project handoff | Live, on the Pro plan and above |
Where a desktop editor still goes further is deep colour finishing and long-form delivery. If that is your job, keep one. If your job is getting a cut finished without an install, this is the shorter route.
Cinematic scene
One image to a 9-scene cinematic video.
Cinematic storyboard
Share a scene description with character references. Get a full storyboard with shot angles and mood.
Messages to cinematic scene
Dramatize any text conversation into a cinematic multi-shot video.
Title sequence
Generate a professional film title card from scratch, with optional cinematic animation.
Time-freeze effect
Cinematic time-freeze short film for any scene
Short film creator
Go from any idea to a finished short film with scenes, visuals, video, and music.
All on Morphic
Everything the edit touches, in one placeCompose
The timeline itself. Named tracks, the full trim set on the shortcuts you already use, text and captions, keyframe curves, and export to 2160p.
Models
More than sixty video, image and audio models in one picker. Choose per shot and switch mid-project without re-uploading anything.
AI video editor
Restyle a clip, remove an object, swap a background or upscale soft footage, all from the frames you already have.
Workflows
Lock a recipe into a Workflow, rerun it on the next project, and share it with your team.
